Narration filmique des mondes agricoles : de la bipartition des mondes agricoles à leur mise en réflexion visuelle

This paper aims, through an analysis of a series of documentaries, at underlining how their storytellings examplify the dual nature of the agricultural world. On the one hand, some documentaries condemn a world of agro-industry linked to international firms and ultraliberal and « scalable » capitali...

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Main Author: Béatrice Maurines 
Format: Article
Language:fra
Published: Éditions en environnement VertigO 2021-05-01
Series:VertigO
Subjects:
Online Access:http://journals.openedition.org/vertigo/31595
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spelling doaj-503c02c671414e9093d016d740cbcf9a2021-09-02T22:11:15ZfraÉditions en environnement VertigOVertigO1492-84422021-05-0121110.4000/vertigo.31595Narration filmique des mondes agricoles : de la bipartition des mondes agricoles à leur mise en réflexion visuelleBéatrice Maurines This paper aims, through an analysis of a series of documentaries, at underlining how their storytellings examplify the dual nature of the agricultural world. On the one hand, some documentaries condemn a world of agro-industry linked to international firms and ultraliberal and « scalable » capitalism and in particular for their implications in problems of food security, public health and misuse of the soil resource. On the other hand, some documentaries celebrate agricultural alternatives (organic farming, CSA, …) for their orientation toward food justice, social responsability for the Earth and Human labor. In documentary’s scenarios, it is either the case to condemn political milieux specialized in development matters, and supported by agrifood globalization, or it is the case to emphasize « pericapitalist » agricultural models, shown through situated acting knowledge and agricultural relocalizations. But these two narratives don’t tackle the complexity of contemporary agricultural worlds. To properly account for this complexity, the narratives should restaure, interactively, the peculiarities of locations, forms of life and socio-professional and ecological milieux, while accounting for their incremental nature. These dimensions are common to farming, whichever model is considered, and fuel, distinctively for each model, the innovation potential from the Norths and the Souths. Several movies make visible these overflows and the necessary connection between agricultural alternative models, without denying that economic « scalability » governs also the « pericapitalist » forms of farming.http://journals.openedition.org/vertigo/31595visual storytellingdocumentary filmagricultural laboragro-industryalternative food systemssite/locality
collection DOAJ
language fra
format Article
sources DOAJ
author Béatrice Maurines 
spellingShingle Béatrice Maurines 
Narration filmique des mondes agricoles : de la bipartition des mondes agricoles à leur mise en réflexion visuelle
VertigO
visual storytelling
documentary film
agricultural labor
agro-industry
alternative food systems
site/locality
author_facet Béatrice Maurines 
author_sort Béatrice Maurines 
title Narration filmique des mondes agricoles : de la bipartition des mondes agricoles à leur mise en réflexion visuelle
title_short Narration filmique des mondes agricoles : de la bipartition des mondes agricoles à leur mise en réflexion visuelle
title_full Narration filmique des mondes agricoles : de la bipartition des mondes agricoles à leur mise en réflexion visuelle
title_fullStr Narration filmique des mondes agricoles : de la bipartition des mondes agricoles à leur mise en réflexion visuelle
title_full_unstemmed Narration filmique des mondes agricoles : de la bipartition des mondes agricoles à leur mise en réflexion visuelle
title_sort narration filmique des mondes agricoles : de la bipartition des mondes agricoles à leur mise en réflexion visuelle
publisher Éditions en environnement VertigO
series VertigO
issn 1492-8442
publishDate 2021-05-01
description This paper aims, through an analysis of a series of documentaries, at underlining how their storytellings examplify the dual nature of the agricultural world. On the one hand, some documentaries condemn a world of agro-industry linked to international firms and ultraliberal and « scalable » capitalism and in particular for their implications in problems of food security, public health and misuse of the soil resource. On the other hand, some documentaries celebrate agricultural alternatives (organic farming, CSA, …) for their orientation toward food justice, social responsability for the Earth and Human labor. In documentary’s scenarios, it is either the case to condemn political milieux specialized in development matters, and supported by agrifood globalization, or it is the case to emphasize « pericapitalist » agricultural models, shown through situated acting knowledge and agricultural relocalizations. But these two narratives don’t tackle the complexity of contemporary agricultural worlds. To properly account for this complexity, the narratives should restaure, interactively, the peculiarities of locations, forms of life and socio-professional and ecological milieux, while accounting for their incremental nature. These dimensions are common to farming, whichever model is considered, and fuel, distinctively for each model, the innovation potential from the Norths and the Souths. Several movies make visible these overflows and the necessary connection between agricultural alternative models, without denying that economic « scalability » governs also the « pericapitalist » forms of farming.
topic visual storytelling
documentary film
agricultural labor
agro-industry
alternative food systems
site/locality
url http://journals.openedition.org/vertigo/31595
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