Jacques Tati and Modern Times

During the first half of the 20th century questions about relentless modernization of life were present in cinema of the West. At least since de Montaigne one of the basic questions for thinkers was whether the Modernity was worth the disruption and troubles it caused in people’s lives. Jacques Tati...

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Main Author: Saša Milić
Format: Article
Language:English
Published: Center for Philosophy of Media and Media Research 2015-09-01
Series:In Medias Res
Subjects:
Online Access:http://www.centar-fm.org/inmediasres/images/pdf/7/S.%20Milic,%20Jacques%20Tati%20i%20moderna%20vremena.pdf
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spelling doaj-4f8948d7959d452fa3f61cdd5c2cf7352020-11-25T03:55:44ZengCenter for Philosophy of Media and Media ResearchIn Medias Res1848-63042015-09-014710481059Jacques Tati and Modern TimesSaša Milić0Academy of Fine Arts, Belgrade, SerbiaDuring the first half of the 20th century questions about relentless modernization of life were present in cinema of the West. At least since de Montaigne one of the basic questions for thinkers was whether the Modernity was worth the disruption and troubles it caused in people’s lives. Jacques Tati stands in a long line of tradition in French cinema, which probed these questions, but he is unique in a way in which he proposed and tried to provide an answer to it in literally all of his films. This paper explores how he did it, particularly in Playtime, where he probed what “culture of glass” brought to the life of globalized world. While sentimentally sticking to the values of the old, quickly disappearing way of life, Tati uses reflexivity of the medium with fascinating precision to make the viewers understand how they, and his characters, form in their consciousnesses networks of objects from their environment, and participate in the world dominated by modern technology.http://www.centar-fm.org/inmediasres/images/pdf/7/S.%20Milic,%20Jacques%20Tati%20i%20moderna%20vremena.pdfJacques TatimodernityreflexivityPlaytimeperceptionglasssituation model
collection DOAJ
language English
format Article
sources DOAJ
author Saša Milić
spellingShingle Saša Milić
Jacques Tati and Modern Times
In Medias Res
Jacques Tati
modernity
reflexivity
Playtime
perception
glass
situation model
author_facet Saša Milić
author_sort Saša Milić
title Jacques Tati and Modern Times
title_short Jacques Tati and Modern Times
title_full Jacques Tati and Modern Times
title_fullStr Jacques Tati and Modern Times
title_full_unstemmed Jacques Tati and Modern Times
title_sort jacques tati and modern times
publisher Center for Philosophy of Media and Media Research
series In Medias Res
issn 1848-6304
publishDate 2015-09-01
description During the first half of the 20th century questions about relentless modernization of life were present in cinema of the West. At least since de Montaigne one of the basic questions for thinkers was whether the Modernity was worth the disruption and troubles it caused in people’s lives. Jacques Tati stands in a long line of tradition in French cinema, which probed these questions, but he is unique in a way in which he proposed and tried to provide an answer to it in literally all of his films. This paper explores how he did it, particularly in Playtime, where he probed what “culture of glass” brought to the life of globalized world. While sentimentally sticking to the values of the old, quickly disappearing way of life, Tati uses reflexivity of the medium with fascinating precision to make the viewers understand how they, and his characters, form in their consciousnesses networks of objects from their environment, and participate in the world dominated by modern technology.
topic Jacques Tati
modernity
reflexivity
Playtime
perception
glass
situation model
url http://www.centar-fm.org/inmediasres/images/pdf/7/S.%20Milic,%20Jacques%20Tati%20i%20moderna%20vremena.pdf
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