Des poussières et du temps, notion de temporalité hétérochrone chez Jacques Rancière et Jean-Marc Desgent

Relying on the collection Vingtièmes siècles of the poet Jean-Marc Desgent, I intend to verify the hypothesis of Jacques Rancière developed in Les mots de l’histoire, essai de poétique du savoir that scholarly history is nourished by words without fixed reference - heresy, revolution, democracy, bul...

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Main Author: François Gagnon
Format: Article
Language:deu
Published: Conserveries Mémorielles 2017-10-01
Series:Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs
Subjects:
Online Access:http://journals.openedition.org/cm/2690
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spelling doaj-4f66db3b894242ccb58c8816dfe8cf8c2020-11-24T21:07:30ZdeuConserveries MémoriellesConserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs1718-55562017-10-0121Des poussières et du temps, notion de temporalité hétérochrone chez Jacques Rancière et Jean-Marc DesgentFrançois GagnonRelying on the collection Vingtièmes siècles of the poet Jean-Marc Desgent, I intend to verify the hypothesis of Jacques Rancière developed in Les mots de l’histoire, essai de poétique du savoir that scholarly history is nourished by words without fixed reference - heresy, revolution, democracy, bully, etc. – and seizes them in reference to specific events - the death of King Philip II, September 13, 1598 - briefly, it makes the history a few new tricks of literature. Invertedly, it also means that literature forge and product historical time. Thus, in the poetic collection Vingtièmes siècles, by multiplying the words "grave" and "dust", Jean-Marc Desgent built a fragmented temporality, gap, but habitable. Repeated evocation of dust and dizzy ellipsis characterize this heterochronous temporality of the twenty-first century, which experienced a jerky time with multiple accents that do not ignore the repetition and the duplication, as already indicated by the use of the plural in the title of the collection, Vingtièmes siècles.http://journals.openedition.org/cm/2690RancièreDesgenttimepoetic of knowledgedust
collection DOAJ
language deu
format Article
sources DOAJ
author François Gagnon
spellingShingle François Gagnon
Des poussières et du temps, notion de temporalité hétérochrone chez Jacques Rancière et Jean-Marc Desgent
Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs
Rancière
Desgent
time
poetic of knowledge
dust
author_facet François Gagnon
author_sort François Gagnon
title Des poussières et du temps, notion de temporalité hétérochrone chez Jacques Rancière et Jean-Marc Desgent
title_short Des poussières et du temps, notion de temporalité hétérochrone chez Jacques Rancière et Jean-Marc Desgent
title_full Des poussières et du temps, notion de temporalité hétérochrone chez Jacques Rancière et Jean-Marc Desgent
title_fullStr Des poussières et du temps, notion de temporalité hétérochrone chez Jacques Rancière et Jean-Marc Desgent
title_full_unstemmed Des poussières et du temps, notion de temporalité hétérochrone chez Jacques Rancière et Jean-Marc Desgent
title_sort des poussières et du temps, notion de temporalité hétérochrone chez jacques rancière et jean-marc desgent
publisher Conserveries Mémorielles
series Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs
issn 1718-5556
publishDate 2017-10-01
description Relying on the collection Vingtièmes siècles of the poet Jean-Marc Desgent, I intend to verify the hypothesis of Jacques Rancière developed in Les mots de l’histoire, essai de poétique du savoir that scholarly history is nourished by words without fixed reference - heresy, revolution, democracy, bully, etc. – and seizes them in reference to specific events - the death of King Philip II, September 13, 1598 - briefly, it makes the history a few new tricks of literature. Invertedly, it also means that literature forge and product historical time. Thus, in the poetic collection Vingtièmes siècles, by multiplying the words "grave" and "dust", Jean-Marc Desgent built a fragmented temporality, gap, but habitable. Repeated evocation of dust and dizzy ellipsis characterize this heterochronous temporality of the twenty-first century, which experienced a jerky time with multiple accents that do not ignore the repetition and the duplication, as already indicated by the use of the plural in the title of the collection, Vingtièmes siècles.
topic Rancière
Desgent
time
poetic of knowledge
dust
url http://journals.openedition.org/cm/2690
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