The Loss of the Popular: Reconstructing Fifty Years of Studying Popular Culture

This article starts from the observation that popular culture resides in a contradictory space. On the one hand it seems to be thriving, in that the range of media objects that were previously studied under the rubric of popular culture has certainly expanded. Yet, cultural studies scholars rarely s...

Full description

Bibliographic Details
Main Authors: Joke Hermes, Jan Teurlings
Format: Article
Language:English
Published: Cogitatio 2021-09-01
Series:Media and Communication
Subjects:
Online Access:https://www.cogitatiopress.com/mediaandcommunication/article/view/4218
id doaj-4e8ac9ae80db48d3a3540fd77f7bea90
record_format Article
spelling doaj-4e8ac9ae80db48d3a3540fd77f7bea902021-09-13T10:18:47ZengCogitatioMedia and Communication2183-24392021-09-019322823810.17645/mac.v9i3.42182136The Loss of the Popular: Reconstructing Fifty Years of Studying Popular CultureJoke Hermes0Jan Teurlings1Research Group Creative Business, Inholland University, The NetherlandsDepartment of Media Studies, University of Amsterdam, The NetherlandsThis article starts from the observation that popular culture resides in a contradictory space. On the one hand it seems to be thriving, in that the range of media objects that were previously studied under the rubric of popular culture has certainly expanded. Yet, cultural studies scholars rarely study these media objects as popular culture. Instead, concerns about immaterial labor, about the manipulation of voting behavior and public opinion, about filter bubbles and societal polarization, and about populist authoritarianism, determine the dominant frames with which the contemporary media environment is approached. This article aims to trace how this change has come to pass over the last 50 years. It argues that changes in the media environment are important, but also that cultural studies as an institutionalizing interdisciplinary project has changed. It identifies “the moment of popular culture” as a relatively short-lived but epoch-defining moment in cultural studies. This moment was subsequently displaced by a set of related yet different theoretical problematics that gradually moved the study of popular culture away from the popular. These displacements are: the hollowing out of the notion of the popular, as signaled early on by Meaghan Morris’ article “The Banality of Cultural Studies” in 1988; the institutionalization of cultural studies; the rise of the governmentality approach and a growing engagement with affect theory.https://www.cogitatiopress.com/mediaandcommunication/article/view/4218affect theorybanalitycultural studiesfoucaultgovernmentalitymedia environmentpopular culturethe popular
collection DOAJ
language English
format Article
sources DOAJ
author Joke Hermes
Jan Teurlings
spellingShingle Joke Hermes
Jan Teurlings
The Loss of the Popular: Reconstructing Fifty Years of Studying Popular Culture
Media and Communication
affect theory
banality
cultural studies
foucault
governmentality
media environment
popular culture
the popular
author_facet Joke Hermes
Jan Teurlings
author_sort Joke Hermes
title The Loss of the Popular: Reconstructing Fifty Years of Studying Popular Culture
title_short The Loss of the Popular: Reconstructing Fifty Years of Studying Popular Culture
title_full The Loss of the Popular: Reconstructing Fifty Years of Studying Popular Culture
title_fullStr The Loss of the Popular: Reconstructing Fifty Years of Studying Popular Culture
title_full_unstemmed The Loss of the Popular: Reconstructing Fifty Years of Studying Popular Culture
title_sort loss of the popular: reconstructing fifty years of studying popular culture
publisher Cogitatio
series Media and Communication
issn 2183-2439
publishDate 2021-09-01
description This article starts from the observation that popular culture resides in a contradictory space. On the one hand it seems to be thriving, in that the range of media objects that were previously studied under the rubric of popular culture has certainly expanded. Yet, cultural studies scholars rarely study these media objects as popular culture. Instead, concerns about immaterial labor, about the manipulation of voting behavior and public opinion, about filter bubbles and societal polarization, and about populist authoritarianism, determine the dominant frames with which the contemporary media environment is approached. This article aims to trace how this change has come to pass over the last 50 years. It argues that changes in the media environment are important, but also that cultural studies as an institutionalizing interdisciplinary project has changed. It identifies “the moment of popular culture” as a relatively short-lived but epoch-defining moment in cultural studies. This moment was subsequently displaced by a set of related yet different theoretical problematics that gradually moved the study of popular culture away from the popular. These displacements are: the hollowing out of the notion of the popular, as signaled early on by Meaghan Morris’ article “The Banality of Cultural Studies” in 1988; the institutionalization of cultural studies; the rise of the governmentality approach and a growing engagement with affect theory.
topic affect theory
banality
cultural studies
foucault
governmentality
media environment
popular culture
the popular
url https://www.cogitatiopress.com/mediaandcommunication/article/view/4218
work_keys_str_mv AT jokehermes thelossofthepopularreconstructingfiftyyearsofstudyingpopularculture
AT janteurlings thelossofthepopularreconstructingfiftyyearsofstudyingpopularculture
AT jokehermes lossofthepopularreconstructingfiftyyearsofstudyingpopularculture
AT janteurlings lossofthepopularreconstructingfiftyyearsofstudyingpopularculture
_version_ 1717381019953266688