Actualism and Fictional Characters

In what follows, I present only part of a program that consists in developing a version of actualism as an adequate framework for the metaphysics of intentionality. I will try to accommodate in that framework suggestions found in Kripke’s works and some positions developed by Amie Thomasson. What sh...

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Main Author: André Leclerc
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina 2016-04-01
Series:Principia: An International Journal of Epistemology
Subjects:
Online Access:https://periodicos.ufsc.br/index.php/principia/article/view/46834
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spelling doaj-4e825a2b3d0b490a85cbf782da1993762020-11-24T21:55:24ZengUniversidade Federal de Santa CatarinaPrincipia: An International Journal of Epistemology1414-42471808-17112016-04-01201618010.5007/1808-1711.2016v20n1p6126112Actualism and Fictional CharactersAndré Leclerc0UFC/UnB/CNPqIn what follows, I present only part of a program that consists in developing a version of actualism as an adequate framework for the metaphysics of intentionality. I will try to accommodate in that framework suggestions found in Kripke’s works and some positions developed by Amie Thomasson. What should we change if we accept “fictional entities” in the domain of the actual world? Actualism is the thesis that everything that exists belongs to the domain of the actual world and that there are no possibilia. I shall defend that there are abstract artefacts, like fictional characters, and institutions. My argument could be seen as a version of Moore’s paradox: it is paradoxical to say: “I made (created) it, but I do not believe it exists”. Moreover, there are true sentences about them. I will examine what it means to include abstract artefacts in the domain of the actual world. I favour a use of “exist” that includes beings with no concrete occupation of tri-dimensional space; to exist, it is enough to have been introduced at some moment in history. Abstract artefacts, like fictional characters, exist in that sense. I argue that it is important to distinguish two perspectives (internal and external) in order to clarify the kind of knowledge we have of fictional characters. However, their existence presupposes a relation of dependence to a material basis and the mental activities of many people.https://periodicos.ufsc.br/index.php/principia/article/view/46834Actualismabstract artefacts, fictional charactersanalytic ontologyintentionality.
collection DOAJ
language English
format Article
sources DOAJ
author André Leclerc
spellingShingle André Leclerc
Actualism and Fictional Characters
Principia: An International Journal of Epistemology
Actualism
abstract artefacts, fictional characters
analytic ontology
intentionality.
author_facet André Leclerc
author_sort André Leclerc
title Actualism and Fictional Characters
title_short Actualism and Fictional Characters
title_full Actualism and Fictional Characters
title_fullStr Actualism and Fictional Characters
title_full_unstemmed Actualism and Fictional Characters
title_sort actualism and fictional characters
publisher Universidade Federal de Santa Catarina
series Principia: An International Journal of Epistemology
issn 1414-4247
1808-1711
publishDate 2016-04-01
description In what follows, I present only part of a program that consists in developing a version of actualism as an adequate framework for the metaphysics of intentionality. I will try to accommodate in that framework suggestions found in Kripke’s works and some positions developed by Amie Thomasson. What should we change if we accept “fictional entities” in the domain of the actual world? Actualism is the thesis that everything that exists belongs to the domain of the actual world and that there are no possibilia. I shall defend that there are abstract artefacts, like fictional characters, and institutions. My argument could be seen as a version of Moore’s paradox: it is paradoxical to say: “I made (created) it, but I do not believe it exists”. Moreover, there are true sentences about them. I will examine what it means to include abstract artefacts in the domain of the actual world. I favour a use of “exist” that includes beings with no concrete occupation of tri-dimensional space; to exist, it is enough to have been introduced at some moment in history. Abstract artefacts, like fictional characters, exist in that sense. I argue that it is important to distinguish two perspectives (internal and external) in order to clarify the kind of knowledge we have of fictional characters. However, their existence presupposes a relation of dependence to a material basis and the mental activities of many people.
topic Actualism
abstract artefacts, fictional characters
analytic ontology
intentionality.
url https://periodicos.ufsc.br/index.php/principia/article/view/46834
work_keys_str_mv AT andreleclerc actualismandfictionalcharacters
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