The Marine Scene in the Lod Mosaics
The Lod mosaic, discovered in the city bearing that name in Israel, was laid in a luxurious villa urbana in the late 3rd or early 4th century AD. It contains inter alia a nautical scene presented as a foor carpet in the form of a pond. The scene includes sea life and two ships. One is sailing freely...
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Bursa Uludağ University Mosaic Research Centre
2019-11-01
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doaj-4dfc5580b5134bb68ebf4ad2c58551a62021-03-24T07:37:07ZdeuBursa Uludağ University Mosaic Research CentreJournal of Mosaic Research1309-047X2619-91652019-11-0112476210.26658/jmr.614853The Marine Scene in the Lod MosaicsAmir GORZALCZANY0https://orcid.org/0000-0001-6910-6776Baruch ROSEN1https://orcid.org/0000-0003-2350-1441Scientifc Processing Branch, Publications Department, Israel Antiquities Authority (IAA), 12 Lavanda St. Tel Aviv, IsraelIndependent Researcher, Tel Aviv, IsraeThe Lod mosaic, discovered in the city bearing that name in Israel, was laid in a luxurious villa urbana in the late 3rd or early 4th century AD. It contains inter alia a nautical scene presented as a foor carpet in the form of a pond. The scene includes sea life and two ships. One is sailing freely while the other, facing the opposite direction, is becalmed and perhaps in distress. The scene, in that place and time, symbolized the penetration into this country of the sea-oriented Greco-Roman culture. The pond containing the sea life and the vessels conveyed the idea of the sea, full of life, as a representation of the world organized by its creator. The scene details of the sea symbolize the truism “big fsh eat little fsh,” which also appears in contemporary literature. The vessels symbolize life as a sea voyage, also refected in contemporary sources. The two ships affected contrarily by the same wind suggest the metaphor that a beneft divinely granted to one may be undesirable to another, and that it is impossible to appease everyone all the time. Such ships could also present additional ship associated symbolic concepts. To the modern observer the pond and its contents look as if they were purposefully and successfully designed to ft most cultural backgrounds of contemporary viewers, be they Jews, Christians, Samaritans or pagans. https://dergipark.org.tr/tr/download/article-file/799423mosaicmarine motifsroman-byzantineshipssea monsters |
collection |
DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Amir GORZALCZANY Baruch ROSEN |
spellingShingle |
Amir GORZALCZANY Baruch ROSEN The Marine Scene in the Lod Mosaics Journal of Mosaic Research mosaic marine motifs roman-byzantine ships sea monsters |
author_facet |
Amir GORZALCZANY Baruch ROSEN |
author_sort |
Amir GORZALCZANY |
title |
The Marine Scene in the Lod Mosaics |
title_short |
The Marine Scene in the Lod Mosaics |
title_full |
The Marine Scene in the Lod Mosaics |
title_fullStr |
The Marine Scene in the Lod Mosaics |
title_full_unstemmed |
The Marine Scene in the Lod Mosaics |
title_sort |
marine scene in the lod mosaics |
publisher |
Bursa Uludağ University Mosaic Research Centre |
series |
Journal of Mosaic Research |
issn |
1309-047X 2619-9165 |
publishDate |
2019-11-01 |
description |
The Lod mosaic, discovered in the city bearing that name in Israel, was laid in a luxurious villa urbana in the late 3rd or early 4th century AD. It contains inter alia a nautical scene presented as a foor carpet in the form of a pond. The scene includes sea life and two ships. One is sailing freely while the other, facing the opposite direction, is becalmed and perhaps in distress. The scene, in that place and time, symbolized the penetration into this country of the sea-oriented Greco-Roman culture. The pond containing the sea life and the vessels conveyed the idea of the sea, full of life, as a representation of the world organized by its creator. The scene details of
the sea symbolize the truism “big fsh eat little fsh,” which also appears in contemporary literature. The vessels symbolize life as a sea voyage, also refected in contemporary sources. The two ships affected contrarily by the same wind suggest the metaphor that a beneft divinely granted to one may be undesirable to another, and that it is impossible to appease everyone all the time. Such ships could also present additional ship associated symbolic concepts. To the modern observer the pond and its contents look as if they were purposefully and successfully designed to ft most cultural backgrounds of contemporary viewers, be they Jews, Christians,
Samaritans or pagans. |
topic |
mosaic marine motifs roman-byzantine ships sea monsters |
url |
https://dergipark.org.tr/tr/download/article-file/799423 |
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AT amirgorzalczany themarinesceneinthelodmosaics AT baruchrosen themarinesceneinthelodmosaics AT amirgorzalczany marinesceneinthelodmosaics AT baruchrosen marinesceneinthelodmosaics |
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