Photo-ethnography and Political Engagement: Studying performative subversions of public space

As a result of the development of digital technologies, the production, editing and publication of photographs is fully incorporated into our daily lives. We routinely use images as language to describe, comment on, interpret, laugh with, captivate, or ironize others. However, scant attention has be...

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Main Authors: Pablo Ignacio Hermansen Ulibarri, Roberto Fernández
Format: Article
Language:English
Published: Universidad de Los Andes 2020-01-01
Series:Dearq
Subjects:
Online Access:https://revistas.uniandes.edu.co/doi/ref/10.18389/dearq26.2020.11
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spelling doaj-4dd67a1460064537bc25fb3c6884eb6f2020-12-02T17:31:25ZengUniversidad de Los AndesDearq2011-31882215-969X2020-01-014310010910.18389/dearq26.2020.11Photo-ethnography and Political Engagement: Studying performative subversions of public spacePablo Ignacio Hermansen Ulibarrihttps://orcid.org/0000-0002-7706-5270Roberto FernándezAs a result of the development of digital technologies, the production, editing and publication of photographs is fully incorporated into our daily lives. We routinely use images as language to describe, comment on, interpret, laugh with, captivate, or ironize others. However, scant attention has been paid to how these technologies have been incorporated into research methods. The word continues to be the hegemonic source of the codes and categories used to analyze and engage in discussions in the academic community. During our research on performative practices at the Santiago Gay Pride Parade, we discovered a visual phenomenon that is impossible to describe using words alone. This led us to engage methodologically to approach our field of study using design, digital media and photographs. We believe that an eminently visual phenomenon such as the performative appropriation of public spaces must be studied using a method that preserves the richness of the spectacle and allows for narrative consistency.https://revistas.uniandes.edu.co/doi/ref/10.18389/dearq26.2020.11perfomative protestsvisual researchpublic spacegay pride paradepolitical visibility
collection DOAJ
language English
format Article
sources DOAJ
author Pablo Ignacio Hermansen Ulibarri
Roberto Fernández
spellingShingle Pablo Ignacio Hermansen Ulibarri
Roberto Fernández
Photo-ethnography and Political Engagement: Studying performative subversions of public space
Dearq
perfomative protests
visual research
public space
gay pride parade
political visibility
author_facet Pablo Ignacio Hermansen Ulibarri
Roberto Fernández
author_sort Pablo Ignacio Hermansen Ulibarri
title Photo-ethnography and Political Engagement: Studying performative subversions of public space
title_short Photo-ethnography and Political Engagement: Studying performative subversions of public space
title_full Photo-ethnography and Political Engagement: Studying performative subversions of public space
title_fullStr Photo-ethnography and Political Engagement: Studying performative subversions of public space
title_full_unstemmed Photo-ethnography and Political Engagement: Studying performative subversions of public space
title_sort photo-ethnography and political engagement: studying performative subversions of public space
publisher Universidad de Los Andes
series Dearq
issn 2011-3188
2215-969X
publishDate 2020-01-01
description As a result of the development of digital technologies, the production, editing and publication of photographs is fully incorporated into our daily lives. We routinely use images as language to describe, comment on, interpret, laugh with, captivate, or ironize others. However, scant attention has been paid to how these technologies have been incorporated into research methods. The word continues to be the hegemonic source of the codes and categories used to analyze and engage in discussions in the academic community. During our research on performative practices at the Santiago Gay Pride Parade, we discovered a visual phenomenon that is impossible to describe using words alone. This led us to engage methodologically to approach our field of study using design, digital media and photographs. We believe that an eminently visual phenomenon such as the performative appropriation of public spaces must be studied using a method that preserves the richness of the spectacle and allows for narrative consistency.
topic perfomative protests
visual research
public space
gay pride parade
political visibility
url https://revistas.uniandes.edu.co/doi/ref/10.18389/dearq26.2020.11
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AT robertofernandez photoethnographyandpoliticalengagementstudyingperformativesubversionsofpublicspace
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