From Within / From Outside: Mass Media and the International Spread of Post-War Architecture

This monographic issue of the journal HPA attempts to map the international spread of architectural culture in the mass media after the Second World War, taking the period 1945–1960 as a time frame. It focuses on how certain ideas about the city and contemporary architecture were disseminated throug...

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Main Authors: Antonio Pizza, Carolina Beatriz García-Estévez, Ramon Graus, Marisa García Vergara
Format: Article
Language:English
Published: University of Bologna 2020-03-01
Series:Histories of Postwar Architecture
Online Access:https://hpa.unibo.it/article/view/10595
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spelling doaj-4d9b141ee625489e9cb154d6f60e8a5f2020-11-25T01:53:43ZengUniversity of BolognaHistories of Postwar Architecture2611-00752020-03-01241510.6092/issn.2611-0075/105958924From Within / From Outside: Mass Media and the International Spread of Post-War ArchitectureAntonio Pizza0Carolina Beatriz García-Estévez1Ramon GrausMarisa García Vergara2Universitat Politècnica de Catalunya, BarcelonaUniversitat Politècnica de Catalunya, BarcelonaUniversitat de Girona, GironaThis monographic issue of the journal HPA attempts to map the international spread of architectural culture in the mass media after the Second World War, taking the period 1945–1960 as a time frame. It focuses on how certain ideas about the city and contemporary architecture were disseminated through periodical publications, exhibitions and conferences by analyzing a series of monographic case studies in an attempt to answer some essential questions: 1. How was an architectural and/or urban design project with ties to a specific context presented in the international sphere through state, professional and educational channels—whether institutional or otherwise? 2. How did this occur during a period of radical cultural reconstruction and fundamental disciplinary redefinition? 3. And vice versa: how was the same project interpreted from the point of view of the foreign establishment? 4. How did the vision “from within” and the perspectives “from outside” interact?We believe that analyzing this type of “external” perspective (specifically: how the architectural world of one country looks at the architecture of another) offers a productive path toward a historiographic renewal of studies centered on the processes affecting the international dissemination of modern architecture, beginning from the early years after the Second World War in Europe.https://hpa.unibo.it/article/view/10595
collection DOAJ
language English
format Article
sources DOAJ
author Antonio Pizza
Carolina Beatriz García-Estévez
Ramon Graus
Marisa García Vergara
spellingShingle Antonio Pizza
Carolina Beatriz García-Estévez
Ramon Graus
Marisa García Vergara
From Within / From Outside: Mass Media and the International Spread of Post-War Architecture
Histories of Postwar Architecture
author_facet Antonio Pizza
Carolina Beatriz García-Estévez
Ramon Graus
Marisa García Vergara
author_sort Antonio Pizza
title From Within / From Outside: Mass Media and the International Spread of Post-War Architecture
title_short From Within / From Outside: Mass Media and the International Spread of Post-War Architecture
title_full From Within / From Outside: Mass Media and the International Spread of Post-War Architecture
title_fullStr From Within / From Outside: Mass Media and the International Spread of Post-War Architecture
title_full_unstemmed From Within / From Outside: Mass Media and the International Spread of Post-War Architecture
title_sort from within / from outside: mass media and the international spread of post-war architecture
publisher University of Bologna
series Histories of Postwar Architecture
issn 2611-0075
publishDate 2020-03-01
description This monographic issue of the journal HPA attempts to map the international spread of architectural culture in the mass media after the Second World War, taking the period 1945–1960 as a time frame. It focuses on how certain ideas about the city and contemporary architecture were disseminated through periodical publications, exhibitions and conferences by analyzing a series of monographic case studies in an attempt to answer some essential questions: 1. How was an architectural and/or urban design project with ties to a specific context presented in the international sphere through state, professional and educational channels—whether institutional or otherwise? 2. How did this occur during a period of radical cultural reconstruction and fundamental disciplinary redefinition? 3. And vice versa: how was the same project interpreted from the point of view of the foreign establishment? 4. How did the vision “from within” and the perspectives “from outside” interact?We believe that analyzing this type of “external” perspective (specifically: how the architectural world of one country looks at the architecture of another) offers a productive path toward a historiographic renewal of studies centered on the processes affecting the international dissemination of modern architecture, beginning from the early years after the Second World War in Europe.
url https://hpa.unibo.it/article/view/10595
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