Beyond Canned Television

The October of 2018 saw the creation of BBC Earth Tribe, a global online brand representing BBC Natural History Unit (NHU)’s programming on Tencent Video, one of China’s leading online streaming services. Besides providing over 650 hours of BBC documentaries to Chinese online audiences, BBC Ea...

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Main Author: Lin, Lisa
Format: Article
Language:English
Published: Netherlands Institute for Sound and Vision 2020-08-01
Series:VIEW Journal of European Television History and Culture
Online Access:https://www.viewjournal.eu/article/10.18146/view.224/
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spelling doaj-4d487eff85464f80bbcb5039dbcbb0e42020-11-25T03:18:42ZengNetherlands Institute for Sound and VisionVIEW Journal of European Television History and Culture2213-09692020-08-019172110.18146/view.224Beyond Canned TelevisionLin, Lisa The October of 2018 saw the creation of BBC Earth Tribe, a global online brand representing BBC Natural History Unit (NHU)’s programming on Tencent Video, one of China’s leading online streaming services. Besides providing over 650 hours of BBC documentaries to Chinese online audiences, BBC Earth Tribe delivers unprecedented access to creators from BBC NHU through interactive screen forms and offline events. This article offers a study of BBC Earth’s global strategies in its partnerships with one of the largest Chinese digital platforms, Tencent, in terms of coproduction and online community building beyond traditional canned television distribution. It examines Project Penguin, which has formalised coproduction partnerships between BBC Studios and Tencent Online Media Group (OMG) since October 2018. The distribution partnerships involve not only pre-sales of BBC Earth’s flagship documentaries but also coproduction and online community building on Tencent-run platforms, from streaming services to social media platforms. By examining BBC Earth’s distribution strategies in the Chinese media landscape from the early 2000s, the paper aims to theorise distribution strategies between BBC Studios and Tencent Video and its socio-cultural implications on television distribution in the digital, multiplatform era of convergence.https://www.viewjournal.eu/article/10.18146/view.224/
collection DOAJ
language English
format Article
sources DOAJ
author Lin, Lisa
spellingShingle Lin, Lisa
Beyond Canned Television
VIEW Journal of European Television History and Culture
author_facet Lin, Lisa
author_sort Lin, Lisa
title Beyond Canned Television
title_short Beyond Canned Television
title_full Beyond Canned Television
title_fullStr Beyond Canned Television
title_full_unstemmed Beyond Canned Television
title_sort beyond canned television
publisher Netherlands Institute for Sound and Vision
series VIEW Journal of European Television History and Culture
issn 2213-0969
publishDate 2020-08-01
description The October of 2018 saw the creation of BBC Earth Tribe, a global online brand representing BBC Natural History Unit (NHU)’s programming on Tencent Video, one of China’s leading online streaming services. Besides providing over 650 hours of BBC documentaries to Chinese online audiences, BBC Earth Tribe delivers unprecedented access to creators from BBC NHU through interactive screen forms and offline events. This article offers a study of BBC Earth’s global strategies in its partnerships with one of the largest Chinese digital platforms, Tencent, in terms of coproduction and online community building beyond traditional canned television distribution. It examines Project Penguin, which has formalised coproduction partnerships between BBC Studios and Tencent Online Media Group (OMG) since October 2018. The distribution partnerships involve not only pre-sales of BBC Earth’s flagship documentaries but also coproduction and online community building on Tencent-run platforms, from streaming services to social media platforms. By examining BBC Earth’s distribution strategies in the Chinese media landscape from the early 2000s, the paper aims to theorise distribution strategies between BBC Studios and Tencent Video and its socio-cultural implications on television distribution in the digital, multiplatform era of convergence.
url https://www.viewjournal.eu/article/10.18146/view.224/
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