L’écriture autobiographique ou l’horizon à reculons

We would like to explore the notion of horizon in autobiographical writing. It is a common thought that the autobiographer never looks further than his own belly-button. Still, taking that the writer becomes his own territory when he writes about himself, how does he express it in the text ? When he...

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Bibliographic Details
Main Author: Frédérique Amselle
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2011-05-01
Series:Études Britanniques Contemporaines
Subjects:
Online Access:http://journals.openedition.org/ebc/2366
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spelling doaj-4d1195790be2434089c8ef218a6094cb2020-11-25T00:27:37ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442011-05-0140192810.4000/ebc.2366L’écriture autobiographique ou l’horizon à reculonsFrédérique AmselleWe would like to explore the notion of horizon in autobiographical writing. It is a common thought that the autobiographer never looks further than his own belly-button. Still, taking that the writer becomes his own territory when he writes about himself, how does he express it in the text ? When he undertakes writing his autobiography, the author is looking backward but actually pretends he is unfolding the thread from a beginning to an end (which can correspond to a symbolic end or which coincides with the moment when the writer is actually writing the book).Writing the end is like representing one’s own death : the end of the book can thus define a horizon one can only but pretend to have reached. We develop the concepts of artificial horizon and intermediary horizon to show the devices used by some writers such as Virginia Woolf, Agatha Christie and Julian Barnes to deal with the impossible reunion of the end of the text and the end of life.http://journals.openedition.org/ebc/2366J. BarnesA. ChristieV.Woolfautobiographydeathending
collection DOAJ
language English
format Article
sources DOAJ
author Frédérique Amselle
spellingShingle Frédérique Amselle
L’écriture autobiographique ou l’horizon à reculons
Études Britanniques Contemporaines
J. Barnes
A. Christie
V.Woolf
autobiography
death
ending
author_facet Frédérique Amselle
author_sort Frédérique Amselle
title L’écriture autobiographique ou l’horizon à reculons
title_short L’écriture autobiographique ou l’horizon à reculons
title_full L’écriture autobiographique ou l’horizon à reculons
title_fullStr L’écriture autobiographique ou l’horizon à reculons
title_full_unstemmed L’écriture autobiographique ou l’horizon à reculons
title_sort l’écriture autobiographique ou l’horizon à reculons
publisher Presses Universitaires de la Méditerranée
series Études Britanniques Contemporaines
issn 1168-4917
2271-5444
publishDate 2011-05-01
description We would like to explore the notion of horizon in autobiographical writing. It is a common thought that the autobiographer never looks further than his own belly-button. Still, taking that the writer becomes his own territory when he writes about himself, how does he express it in the text ? When he undertakes writing his autobiography, the author is looking backward but actually pretends he is unfolding the thread from a beginning to an end (which can correspond to a symbolic end or which coincides with the moment when the writer is actually writing the book).Writing the end is like representing one’s own death : the end of the book can thus define a horizon one can only but pretend to have reached. We develop the concepts of artificial horizon and intermediary horizon to show the devices used by some writers such as Virginia Woolf, Agatha Christie and Julian Barnes to deal with the impossible reunion of the end of the text and the end of life.
topic J. Barnes
A. Christie
V.Woolf
autobiography
death
ending
url http://journals.openedition.org/ebc/2366
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