Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa
This paper aims to critically review the documentation process of the performance-based collaborative artwork Luís Vaz 73 (1975), created by the visual artist and performer Ernesto de Sousa (1921-1988), and the composer, pianist and conductor, Jorge Peixinho (1940-1995). The documentation process wa...
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Associação Profissional de Conservadores - Restauradores de Portugal
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Online Access: | https://doi.org/10.14568/cp2016042 |
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doaj-4cd97f55021b4a65a19393d91411e0a52020-11-24T21:03:05ZengAssociação Profissional de Conservadores - Restauradores de PortugalConservar Património1646-043X2182-99422018-01-0127132210.14568/cp20160422016042Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de SousaHélia Marçal0Andreia Nogueira1Rita Macedo2Departamento de Conservação e Restauro, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa, Caparica, PortugalDepartamento de Conservação e Restauro, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa, Caparica, PortugalDepartamento de Conservação e Restauro, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa, Caparica, PortugalThis paper aims to critically review the documentation process of the performance-based collaborative artwork Luís Vaz 73 (1975), created by the visual artist and performer Ernesto de Sousa (1921-1988), and the composer, pianist and conductor, Jorge Peixinho (1940-1995). The documentation process was developed in four phases: identification of the conservation problem, which contextualizes the documentation process; gathering of documentation, published and unpublished; documentation production, which includes interviews to relevant actors; and assessment and systematization, which organizes all relevant information and discusses the main weaknesses of the process. This documentation methodology opens a new perspective based on the relationship between the production of documentation and its application in the (re)presentation of the work This methodology looks for a reflexive approach, where the main challenges of the documentation process are reflected upon, thus informing future generations about this process.https://doi.org/10.14568/cp2016042DocumentationPerformance artConservator-restorerIntangibleCollaboration |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Hélia Marçal Andreia Nogueira Rita Macedo |
spellingShingle |
Hélia Marçal Andreia Nogueira Rita Macedo Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa Conservar Património Documentation Performance art Conservator-restorer Intangible Collaboration |
author_facet |
Hélia Marçal Andreia Nogueira Rita Macedo |
author_sort |
Hélia Marçal |
title |
Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa |
title_short |
Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa |
title_full |
Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa |
title_fullStr |
Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa |
title_full_unstemmed |
Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa |
title_sort |
materializing the intangible: the documentation of luís vaz 73 (1975), by jorge peixinho and ernesto de sousa |
publisher |
Associação Profissional de Conservadores - Restauradores de Portugal |
series |
Conservar Património |
issn |
1646-043X 2182-9942 |
publishDate |
2018-01-01 |
description |
This paper aims to critically review the documentation process of the performance-based collaborative artwork Luís Vaz 73 (1975), created by the visual artist and performer Ernesto de Sousa (1921-1988), and the composer, pianist and conductor, Jorge Peixinho (1940-1995). The documentation process was developed in four phases: identification of the conservation problem, which contextualizes the documentation process; gathering of documentation, published and unpublished; documentation production, which includes interviews to relevant actors; and assessment and systematization, which organizes all relevant information and discusses the main weaknesses of the process. This documentation methodology opens a new perspective based on the relationship between the production of documentation and its application in the (re)presentation of the work This methodology looks for a reflexive approach, where the main challenges of the documentation process are reflected upon, thus informing future generations about this process. |
topic |
Documentation Performance art Conservator-restorer Intangible Collaboration |
url |
https://doi.org/10.14568/cp2016042 |
work_keys_str_mv |
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1716774249062989824 |