Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa

This paper aims to critically review the documentation process of the performance-based collaborative artwork Luís Vaz 73 (1975), created by the visual artist and performer Ernesto de Sousa (1921-1988), and the composer, pianist and conductor, Jorge Peixinho (1940-1995). The documentation process wa...

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Main Authors: Hélia Marçal, Andreia Nogueira, Rita Macedo
Format: Article
Language:English
Published: Associação Profissional de Conservadores - Restauradores de Portugal 2018-01-01
Series:Conservar Património
Subjects:
Online Access:https://doi.org/10.14568/cp2016042
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spelling doaj-4cd97f55021b4a65a19393d91411e0a52020-11-24T21:03:05ZengAssociação Profissional de Conservadores - Restauradores de PortugalConservar Património1646-043X2182-99422018-01-0127132210.14568/cp20160422016042Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de SousaHélia Marçal0Andreia Nogueira1Rita Macedo2Departamento de Conservação e Restauro, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa, Caparica, PortugalDepartamento de Conservação e Restauro, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa, Caparica, PortugalDepartamento de Conservação e Restauro, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa, Caparica, PortugalThis paper aims to critically review the documentation process of the performance-based collaborative artwork Luís Vaz 73 (1975), created by the visual artist and performer Ernesto de Sousa (1921-1988), and the composer, pianist and conductor, Jorge Peixinho (1940-1995). The documentation process was developed in four phases: identification of the conservation problem, which contextualizes the documentation process; gathering of documentation, published and unpublished; documentation production, which includes interviews to relevant actors; and assessment and systematization, which organizes all relevant information and discusses the main weaknesses of the process. This documentation methodology opens a new perspective based on the relationship between the production of documentation and its application in the (re)presentation of the work This methodology looks for a reflexive approach, where the main challenges of the documentation process are reflected upon, thus informing future generations about this process.https://doi.org/10.14568/cp2016042DocumentationPerformance artConservator-restorerIntangibleCollaboration
collection DOAJ
language English
format Article
sources DOAJ
author Hélia Marçal
Andreia Nogueira
Rita Macedo
spellingShingle Hélia Marçal
Andreia Nogueira
Rita Macedo
Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa
Conservar Património
Documentation
Performance art
Conservator-restorer
Intangible
Collaboration
author_facet Hélia Marçal
Andreia Nogueira
Rita Macedo
author_sort Hélia Marçal
title Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa
title_short Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa
title_full Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa
title_fullStr Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa
title_full_unstemmed Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa
title_sort materializing the intangible: the documentation of luís vaz 73 (1975), by jorge peixinho and ernesto de sousa
publisher Associação Profissional de Conservadores - Restauradores de Portugal
series Conservar Património
issn 1646-043X
2182-9942
publishDate 2018-01-01
description This paper aims to critically review the documentation process of the performance-based collaborative artwork Luís Vaz 73 (1975), created by the visual artist and performer Ernesto de Sousa (1921-1988), and the composer, pianist and conductor, Jorge Peixinho (1940-1995). The documentation process was developed in four phases: identification of the conservation problem, which contextualizes the documentation process; gathering of documentation, published and unpublished; documentation production, which includes interviews to relevant actors; and assessment and systematization, which organizes all relevant information and discusses the main weaknesses of the process. This documentation methodology opens a new perspective based on the relationship between the production of documentation and its application in the (re)presentation of the work This methodology looks for a reflexive approach, where the main challenges of the documentation process are reflected upon, thus informing future generations about this process.
topic Documentation
Performance art
Conservator-restorer
Intangible
Collaboration
url https://doi.org/10.14568/cp2016042
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AT ritamacedo materializingtheintangiblethedocumentationofluisvaz731975byjorgepeixinhoandernestodesousa
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