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This special issue of "Aisthesis" explores the ways in which contemporary ontologies have helped to deepen our understanding of music in its various genres and forms of expression: oral, written, and phonographic. Besides investigating the evolution of the ontological status of musical obj...

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Main Authors: Alessandro Arbo, Alessandro Bertinetto
Format: Article
Language:English
Published: Firenze University Press 2014-02-01
Series:Aisthesis
Online Access:https://oajournals.fupress.net/index.php/aisthesis/article/view/809
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spelling doaj-4ca589bbb4064d2fba69a13d0601e0d52020-11-25T00:13:12ZengFirenze University PressAisthesis2035-84662014-02-0163PresentazioneAlessandro ArboAlessandro BertinettoThis special issue of "Aisthesis" explores the ways in which contemporary ontologies have helped to deepen our understanding of music in its various genres and forms of expression: oral, written, and phonographic. Besides investigating the evolution of the ontological status of musical objects in the light of the technological innovations occurred over the last century, the articles collected here investigate the relationship between ontology and aesthetics and address the question of the criteria for the identification and the evaluation of musical works, musical performances, and improvisations.https://oajournals.fupress.net/index.php/aisthesis/article/view/809
collection DOAJ
language English
format Article
sources DOAJ
author Alessandro Arbo
Alessandro Bertinetto
spellingShingle Alessandro Arbo
Alessandro Bertinetto
Presentazione
Aisthesis
author_facet Alessandro Arbo
Alessandro Bertinetto
author_sort Alessandro Arbo
title Presentazione
title_short Presentazione
title_full Presentazione
title_fullStr Presentazione
title_full_unstemmed Presentazione
title_sort presentazione
publisher Firenze University Press
series Aisthesis
issn 2035-8466
publishDate 2014-02-01
description This special issue of "Aisthesis" explores the ways in which contemporary ontologies have helped to deepen our understanding of music in its various genres and forms of expression: oral, written, and phonographic. Besides investigating the evolution of the ontological status of musical objects in the light of the technological innovations occurred over the last century, the articles collected here investigate the relationship between ontology and aesthetics and address the question of the criteria for the identification and the evaluation of musical works, musical performances, and improvisations.
url https://oajournals.fupress.net/index.php/aisthesis/article/view/809
work_keys_str_mv AT alessandroarbo presentazione
AT alessandrobertinetto presentazione
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