A New Mosaic Workshop in South Sardinia?

Up to now, two workshops have been identified in South Sardinia, at Nora, but the recent discovery in the surroundings of Cagliari of two late polychrome mosaics, one at Sarroch, the other at Settimo San Pietro, yielded new data, increasing our knowledge. Both of them present the same patterns - a c...

Full description

Bibliographic Details
Main Author: Simonetta ANGIOLILLO
Format: Article
Language:deu
Published: Bursa Uludağ University Mosaic Research Centre 2018-11-01
Series:Journal of Mosaic Research
Subjects:
Online Access:https://dergipark.org.tr/en/download/article-file/500821
id doaj-4ca47dacefe145ec94d5e20f2e9a19eb
record_format Article
spelling doaj-4ca47dacefe145ec94d5e20f2e9a19eb2021-03-25T06:31:23ZdeuBursa Uludağ University Mosaic Research CentreJournal of Mosaic Research1309-047X2619-91652018-11-01111710.26658/jmr.440547A New Mosaic Workshop in South Sardinia?Simonetta ANGIOLILLO0https://orcid.org/0000-0002-4093-6845Dipartimento di Storia, Beni culturali e Territorio, Università di Cagliari, Piazza Arsenale 1 - 09124 Cagliari, ItalyUp to now, two workshops have been identified in South Sardinia, at Nora, but the recent discovery in the surroundings of Cagliari of two late polychrome mosaics, one at Sarroch, the other at Settimo San Pietro, yielded new data, increasing our knowledge. Both of them present the same patterns - a chevrons rainbow style pattern and an orthogonal pattern of adjacent imbricated scales - and strong similarities in the style, while nothing similar has been found in the whole Sardinia; an unknown, common workshop can therefore be assumed. But the floor at Settimo San Pietro includes a third panel which shows a geometric mosaic “à trame végétalisée”, exactly alike to other two which were found in Carthage and Maiorca, and we can assume a Carthaginian origin of this pattern. So, can we think to only one workshop for the three floors, even for the panel with chevrons and adjacent imbricated scales, and for the mosaic at Sarroch too? And responsible for these mosaics could be African itinerant workers or Sardinian craftsmen, with African models at their disposal? Literary, documentary and archaeological sources witness for the existence of cartoons and pattern books in the ancient world, but we know for sure that itinerant craftsmen too existed. The present study will debate and analize the different working hypotheses, but the answer is not yet possible, and we have to wait for more archaeological data and findings.https://dergipark.org.tr/en/download/article-file/500821: sardiniamosaicitinerant craftsmenstationary workshopspattern bookstransmission of motifs
collection DOAJ
language deu
format Article
sources DOAJ
author Simonetta ANGIOLILLO
spellingShingle Simonetta ANGIOLILLO
A New Mosaic Workshop in South Sardinia?
Journal of Mosaic Research
: sardinia
mosaic
itinerant craftsmen
stationary workshops
pattern books
transmission of motifs
author_facet Simonetta ANGIOLILLO
author_sort Simonetta ANGIOLILLO
title A New Mosaic Workshop in South Sardinia?
title_short A New Mosaic Workshop in South Sardinia?
title_full A New Mosaic Workshop in South Sardinia?
title_fullStr A New Mosaic Workshop in South Sardinia?
title_full_unstemmed A New Mosaic Workshop in South Sardinia?
title_sort new mosaic workshop in south sardinia?
publisher Bursa Uludağ University Mosaic Research Centre
series Journal of Mosaic Research
issn 1309-047X
2619-9165
publishDate 2018-11-01
description Up to now, two workshops have been identified in South Sardinia, at Nora, but the recent discovery in the surroundings of Cagliari of two late polychrome mosaics, one at Sarroch, the other at Settimo San Pietro, yielded new data, increasing our knowledge. Both of them present the same patterns - a chevrons rainbow style pattern and an orthogonal pattern of adjacent imbricated scales - and strong similarities in the style, while nothing similar has been found in the whole Sardinia; an unknown, common workshop can therefore be assumed. But the floor at Settimo San Pietro includes a third panel which shows a geometric mosaic “à trame végétalisée”, exactly alike to other two which were found in Carthage and Maiorca, and we can assume a Carthaginian origin of this pattern. So, can we think to only one workshop for the three floors, even for the panel with chevrons and adjacent imbricated scales, and for the mosaic at Sarroch too? And responsible for these mosaics could be African itinerant workers or Sardinian craftsmen, with African models at their disposal? Literary, documentary and archaeological sources witness for the existence of cartoons and pattern books in the ancient world, but we know for sure that itinerant craftsmen too existed. The present study will debate and analize the different working hypotheses, but the answer is not yet possible, and we have to wait for more archaeological data and findings.
topic : sardinia
mosaic
itinerant craftsmen
stationary workshops
pattern books
transmission of motifs
url https://dergipark.org.tr/en/download/article-file/500821
work_keys_str_mv AT simonettaangiolillo anewmosaicworkshopinsouthsardinia
AT simonettaangiolillo newmosaicworkshopinsouthsardinia
_version_ 1724203724161679360