Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter

Many of the established Swedish crime writers write for both adults and young readers. These authors are successful in the two literary market segments that are dominating the contemporary Swedish book market: crime literature and children’s literature. Can certain developed trademarks in their auth...

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Bibliographic Details
Main Author: Kärrholm, Sara
Format: Article
Language:Danish
Published: Svenska Barnboksinstitutet 2016-12-01
Series:Barnboken: Tidskrift för Barnlitteraturforskning
Subjects:
Online Access:http://barnboken.net/index.php/clr/article/view/256/772
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spelling doaj-4c1629d9cff844508fece00b15b022442020-11-25T03:43:14ZdanSvenska BarnboksinstitutetBarnboken: Tidskrift för Barnlitteraturforskning2000-43892016-12-0139Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter Kärrholm, Sara Many of the established Swedish crime writers write for both adults and young readers. These authors are successful in the two literary market segments that are dominating the contemporary Swedish book market: crime literature and children’s literature. Can certain developed trademarks in their authorship for adults be used in order to market books for other age groups and to what extent do the authors use this possibility? This article specifically addresses three authors writing for both young and adults: Anna Jansson, Kristina Ohlsson and Åsa Larsson. Their novels for a younger audience are analysed based on how they are packaged and marketed through paratexts such as covers, illustrations, and other texts, using Gérard Genette’s theory of paratexts and theories of genre and marketing. The analysis shows that these authors and their publishers use similar, but also different strategies to hold on to their former target group while also reaching out to new readers. The adult crime genre has an indirect influence over the market of mystery books for children, which is also seen in how different aspects of the crime market for adult crime fiction have become more important on the book market for children, involving agents, events and tourism.http://barnboken.net/index.php/clr/article/view/256/772Åsa LarssonKristina OhlssonAnna JanssonIngela KorsellHenrik Johnsoncrime fictionmystery novelsmarketingbook coversbestsellersparatexts
collection DOAJ
language Danish
format Article
sources DOAJ
author Kärrholm, Sara
spellingShingle Kärrholm, Sara
Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter
Barnboken: Tidskrift för Barnlitteraturforskning
Åsa Larsson
Kristina Ohlsson
Anna Jansson
Ingela Korsell
Henrik Johnson
crime fiction
mystery novels
marketing
book covers
bestsellers
paratexts
author_facet Kärrholm, Sara
author_sort Kärrholm, Sara
title Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter
title_short Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter
title_full Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter
title_fullStr Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter
title_full_unstemmed Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter
title_sort spänningslitteratur för barn och vuxna: när målgrupper och genrer korsas i verkens paratexter
publisher Svenska Barnboksinstitutet
series Barnboken: Tidskrift för Barnlitteraturforskning
issn 2000-4389
publishDate 2016-12-01
description Many of the established Swedish crime writers write for both adults and young readers. These authors are successful in the two literary market segments that are dominating the contemporary Swedish book market: crime literature and children’s literature. Can certain developed trademarks in their authorship for adults be used in order to market books for other age groups and to what extent do the authors use this possibility? This article specifically addresses three authors writing for both young and adults: Anna Jansson, Kristina Ohlsson and Åsa Larsson. Their novels for a younger audience are analysed based on how they are packaged and marketed through paratexts such as covers, illustrations, and other texts, using Gérard Genette’s theory of paratexts and theories of genre and marketing. The analysis shows that these authors and their publishers use similar, but also different strategies to hold on to their former target group while also reaching out to new readers. The adult crime genre has an indirect influence over the market of mystery books for children, which is also seen in how different aspects of the crime market for adult crime fiction have become more important on the book market for children, involving agents, events and tourism.
topic Åsa Larsson
Kristina Ohlsson
Anna Jansson
Ingela Korsell
Henrik Johnson
crime fiction
mystery novels
marketing
book covers
bestsellers
paratexts
url http://barnboken.net/index.php/clr/article/view/256/772
work_keys_str_mv AT karrholmsara spanningslitteraturforbarnochvuxnanarmalgrupperochgenrerkorsasiverkensparatexter
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