« L’autheur de ce magnifique ouvrage » : Charles Le Brun et la réception de l’escalier des Ambassadeurs

This essay discusses the participation of Charles Le Brun in the decoration of the Ambassadors’ Staircase in Versailles. A close reading of the accounts of the Bâtiments du Roi shows that Le Brun, the First Painter to the King, was asked to elaborate the decoration of the staircase later than suppos...

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Main Author: Matthieu Lett
Format: Article
Language:English
Published: Centre de Recherche du Château de Versailles 2006-03-01
Series:Bulletin du Centre de Recherche du Château de Versailles
Subjects:
Online Access:http://journals.openedition.org/crcv/14452
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spelling doaj-4beee7e636aa449a8448a9eedc16a9512020-11-24T23:32:10ZengCentre de Recherche du Château de VersaillesBulletin du Centre de Recherche du Château de Versailles1958-92712006-03-0110.4000/crcv.14452« L’autheur de ce magnifique ouvrage » : Charles Le Brun et la réception de l’escalier des AmbassadeursMatthieu LettThis essay discusses the participation of Charles Le Brun in the decoration of the Ambassadors’ Staircase in Versailles. A close reading of the accounts of the Bâtiments du Roi shows that Le Brun, the First Painter to the King, was asked to elaborate the decoration of the staircase later than supposed. Furthermore, painted staircases did not exist in European royal palaces. Although the architecture was most likely created without his involvement, a few sources, especially certain articles published in the Mercure galant during the 1680s, name Le Brun as the author of the entire staircase, including the architecture. While he may have been asked to elaborate the decoration because of the narrowness of the space and the choice to represent the king’s history, Le Brun seized the opportunity to prove his ability to unite the arts of architecture, sculpture and painting. The fact that the access to the staircase was restricted outside the ceremonies probably contributed to strengthening the artist’s desire to control the reception of this work.http://journals.openedition.org/crcv/14452Ambassador’s StaircasedecorationreceptionCharles Le BrunLouis XIV
collection DOAJ
language English
format Article
sources DOAJ
author Matthieu Lett
spellingShingle Matthieu Lett
« L’autheur de ce magnifique ouvrage » : Charles Le Brun et la réception de l’escalier des Ambassadeurs
Bulletin du Centre de Recherche du Château de Versailles
Ambassador’s Staircase
decoration
reception
Charles Le Brun
Louis XIV
author_facet Matthieu Lett
author_sort Matthieu Lett
title « L’autheur de ce magnifique ouvrage » : Charles Le Brun et la réception de l’escalier des Ambassadeurs
title_short « L’autheur de ce magnifique ouvrage » : Charles Le Brun et la réception de l’escalier des Ambassadeurs
title_full « L’autheur de ce magnifique ouvrage » : Charles Le Brun et la réception de l’escalier des Ambassadeurs
title_fullStr « L’autheur de ce magnifique ouvrage » : Charles Le Brun et la réception de l’escalier des Ambassadeurs
title_full_unstemmed « L’autheur de ce magnifique ouvrage » : Charles Le Brun et la réception de l’escalier des Ambassadeurs
title_sort « l’autheur de ce magnifique ouvrage » : charles le brun et la réception de l’escalier des ambassadeurs
publisher Centre de Recherche du Château de Versailles
series Bulletin du Centre de Recherche du Château de Versailles
issn 1958-9271
publishDate 2006-03-01
description This essay discusses the participation of Charles Le Brun in the decoration of the Ambassadors’ Staircase in Versailles. A close reading of the accounts of the Bâtiments du Roi shows that Le Brun, the First Painter to the King, was asked to elaborate the decoration of the staircase later than supposed. Furthermore, painted staircases did not exist in European royal palaces. Although the architecture was most likely created without his involvement, a few sources, especially certain articles published in the Mercure galant during the 1680s, name Le Brun as the author of the entire staircase, including the architecture. While he may have been asked to elaborate the decoration because of the narrowness of the space and the choice to represent the king’s history, Le Brun seized the opportunity to prove his ability to unite the arts of architecture, sculpture and painting. The fact that the access to the staircase was restricted outside the ceremonies probably contributed to strengthening the artist’s desire to control the reception of this work.
topic Ambassador’s Staircase
decoration
reception
Charles Le Brun
Louis XIV
url http://journals.openedition.org/crcv/14452
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