Il cinema tedesco nel primo Dopoguerra. Il rapporto fra film, inconscio collettivo e percezione dell’opera d’arte

Il cinema tedesco nel primo Dopoguerra. Il rapporto fra film, inconscio collettivo e percezione dell’opera d’arte

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Because of their relative autonomy from the cultural industry, German films of the Twenties are an interesting field to try an analysis on the psychologic attitudes of a society or an age. The themes of films from this era will be examined in this essay: the frequent representation of tragic stories...

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Bibliographic Details
Main Author: Daniele Abbruzzese
Format: Article
Language:English
Published: Firenze University Press 2012-05-01
Series:Aisthesis
Subjects:
Film
Politic
Cultural industry
Online Access:https://oajournals.fupress.net/index.php/aisthesis/article/view/530
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spelling doaj-4b73436517064c9390d3cf7f6f0657f52020-11-25T01:21:25ZengFirenze University PressAisthesis2035-84662012-05-0132Il cinema tedesco nel primo Dopoguerra. Il rapporto fra film, inconscio collettivo e percezione dell’opera d’arteDaniele AbbruzzeseBecause of their relative autonomy from the cultural industry, German films of the Twenties are an interesting field to try an analysis on the psychologic attitudes of a society or an age. The themes of films from this era will be examined in this essay: the frequent representation of tragic stories, the role of repression, wich the film has, the construction of monumental atmospheres. The cardinal skill of this work is in facts to show how films affected everyone´s aesthetic reception at those time, as it liquidates every association with the past and prepares an apperception, that has been useful for authoritarian systems.https://oajournals.fupress.net/index.php/aisthesis/article/view/530FilmPoliticCultural industry
collection DOAJ
language English
format Article
sources DOAJ
author Daniele Abbruzzese
spellingShingle Daniele Abbruzzese
Il cinema tedesco nel primo Dopoguerra. Il rapporto fra film, inconscio collettivo e percezione dell’opera d’arte
Aisthesis
Film
Politic
Cultural industry
author_facet Daniele Abbruzzese
author_sort Daniele Abbruzzese
title Il cinema tedesco nel primo Dopoguerra. Il rapporto fra film, inconscio collettivo e percezione dell’opera d’arte
title_short Il cinema tedesco nel primo Dopoguerra. Il rapporto fra film, inconscio collettivo e percezione dell’opera d’arte
title_full Il cinema tedesco nel primo Dopoguerra. Il rapporto fra film, inconscio collettivo e percezione dell’opera d’arte
title_fullStr Il cinema tedesco nel primo Dopoguerra. Il rapporto fra film, inconscio collettivo e percezione dell’opera d’arte
title_full_unstemmed Il cinema tedesco nel primo Dopoguerra. Il rapporto fra film, inconscio collettivo e percezione dell’opera d’arte
title_sort il cinema tedesco nel primo dopoguerra. il rapporto fra film, inconscio collettivo e percezione dell’opera d’arte
publisher Firenze University Press
series Aisthesis
issn 2035-8466
publishDate 2012-05-01
description Because of their relative autonomy from the cultural industry, German films of the Twenties are an interesting field to try an analysis on the psychologic attitudes of a society or an age. The themes of films from this era will be examined in this essay: the frequent representation of tragic stories, the role of repression, wich the film has, the construction of monumental atmospheres. The cardinal skill of this work is in facts to show how films affected everyone´s aesthetic reception at those time, as it liquidates every association with the past and prepares an apperception, that has been useful for authoritarian systems.
topic Film
Politic
Cultural industry
url https://oajournals.fupress.net/index.php/aisthesis/article/view/530
work_keys_str_mv AT danieleabbruzzese ilcinematedesconelprimodopoguerrailrapportofrafilminconsciocollettivoepercezionedelloperadarte
_version_ 1725130410198827008

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