How like a (Fig) Leaf

In light of work by Donna Haraway, Jacques Derrida and Hélène Cixous, this paper weaves a poetic response to the Western ethnocentric mode of thought as that which cuts a once and forever line dividing nature from culture. That line elevates Man over all other creatures, indeed all other living thi...

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Main Author: Lynn Turner
Format: Article
Language:Finnish
Published: Society for Art History in Finland 2021-03-01
Series:Tahiti
Online Access:https://tahiti.journal.fi/article/view/103178
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spelling doaj-4b6639defc544e5c804a4814b51170c52021-03-08T14:11:40ZfinSociety for Art History in FinlandTahiti2242-06652021-03-0110410.23995/tht.103178How like a (Fig) LeafLynn Turner In light of work by Donna Haraway, Jacques Derrida and Hélène Cixous, this paper weaves a poetic response to the Western ethnocentric mode of thought as that which cuts a once and forever line dividing nature from culture. That line elevates Man over all other creatures, indeed all other living things, and does so by means of a phallic imaginary deeply tied to Judaeo-Christian ontotheology – to shame, nudity and original sin. Through the figure of the fig leaf, the essay affirms the earthly and earthy field of the sexual as that which links rather than divides categories, disciplines and forms of life. https://tahiti.journal.fi/article/view/103178
collection DOAJ
language Finnish
format Article
sources DOAJ
author Lynn Turner
spellingShingle Lynn Turner
How like a (Fig) Leaf
Tahiti
author_facet Lynn Turner
author_sort Lynn Turner
title How like a (Fig) Leaf
title_short How like a (Fig) Leaf
title_full How like a (Fig) Leaf
title_fullStr How like a (Fig) Leaf
title_full_unstemmed How like a (Fig) Leaf
title_sort how like a (fig) leaf
publisher Society for Art History in Finland
series Tahiti
issn 2242-0665
publishDate 2021-03-01
description In light of work by Donna Haraway, Jacques Derrida and Hélène Cixous, this paper weaves a poetic response to the Western ethnocentric mode of thought as that which cuts a once and forever line dividing nature from culture. That line elevates Man over all other creatures, indeed all other living things, and does so by means of a phallic imaginary deeply tied to Judaeo-Christian ontotheology – to shame, nudity and original sin. Through the figure of the fig leaf, the essay affirms the earthly and earthy field of the sexual as that which links rather than divides categories, disciplines and forms of life.
url https://tahiti.journal.fi/article/view/103178
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