Identité et communication des Twiléspectateurs. Entre paradoxe et hybridation

This article addresses the emerging phenomenon of “social television” in France through the study of the identities of Twilépectateurs, authors of television tweets, of the French political program DPDA “Des Paroles et des Acts”. This research is based on a pragmatic analysis of digital communicatio...

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Main Author: Hassan Atifi
Format: Article
Language:fra
Published: Société Française de Sciences de l’Information et de la Communication 2017-08-01
Series:Revue Française des Sciences de l’Information et de la Communication
Subjects:
Online Access:http://journals.openedition.org/rfsic/2975
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spelling doaj-4b5aa50a69174c23bc6ed1259c56c1db2020-11-24T21:49:16ZfraSociété Française de Sciences de l’Information et de la CommunicationRevue Française des Sciences de l’Information et de la Communication2263-08562017-08-011110.4000/rfsic.2975Identité et communication des Twiléspectateurs. Entre paradoxe et hybridationHassan AtifiThis article addresses the emerging phenomenon of “social television” in France through the study of the identities of Twilépectateurs, authors of television tweets, of the French political program DPDA “Des Paroles et des Acts”. This research is based on a pragmatic analysis of digital communications and a continuation of studies dealing with online participation. We analyze the DPDA program in order to grasp the stakes of its system in terms of interactivity, presence, roles and the paradoxical digital identity of "ordinary" citizens. This paradox results from the discrepancy between the television identity (displayed for the viewer) and the twitted identity (declared on twitter). It is basically the invisibility for the viewers, at the time of the display of the tweets at the bottom of the television screen, of the identity information present on the twitter page of each user. Curiously, viewers are informed of the identities of all those allowed to speak during the show (guests, opponents, journalists, experts and journalists) but not of the identities of Twilight viewers who comment on the show. Thus hybrid identities are emerging with citizens occupying three essential roles of judge, activist, and analyst.http://journals.openedition.org/rfsic/2975social televisionTwitterdigital identitycommunication usessocial mediapolitical communication
collection DOAJ
language fra
format Article
sources DOAJ
author Hassan Atifi
spellingShingle Hassan Atifi
Identité et communication des Twiléspectateurs. Entre paradoxe et hybridation
Revue Française des Sciences de l’Information et de la Communication
social television
Twitter
digital identity
communication uses
social media
political communication
author_facet Hassan Atifi
author_sort Hassan Atifi
title Identité et communication des Twiléspectateurs. Entre paradoxe et hybridation
title_short Identité et communication des Twiléspectateurs. Entre paradoxe et hybridation
title_full Identité et communication des Twiléspectateurs. Entre paradoxe et hybridation
title_fullStr Identité et communication des Twiléspectateurs. Entre paradoxe et hybridation
title_full_unstemmed Identité et communication des Twiléspectateurs. Entre paradoxe et hybridation
title_sort identité et communication des twiléspectateurs. entre paradoxe et hybridation
publisher Société Française de Sciences de l’Information et de la Communication
series Revue Française des Sciences de l’Information et de la Communication
issn 2263-0856
publishDate 2017-08-01
description This article addresses the emerging phenomenon of “social television” in France through the study of the identities of Twilépectateurs, authors of television tweets, of the French political program DPDA “Des Paroles et des Acts”. This research is based on a pragmatic analysis of digital communications and a continuation of studies dealing with online participation. We analyze the DPDA program in order to grasp the stakes of its system in terms of interactivity, presence, roles and the paradoxical digital identity of "ordinary" citizens. This paradox results from the discrepancy between the television identity (displayed for the viewer) and the twitted identity (declared on twitter). It is basically the invisibility for the viewers, at the time of the display of the tweets at the bottom of the television screen, of the identity information present on the twitter page of each user. Curiously, viewers are informed of the identities of all those allowed to speak during the show (guests, opponents, journalists, experts and journalists) but not of the identities of Twilight viewers who comment on the show. Thus hybrid identities are emerging with citizens occupying three essential roles of judge, activist, and analyst.
topic social television
Twitter
digital identity
communication uses
social media
political communication
url http://journals.openedition.org/rfsic/2975
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