Georges Didi-Huberman, Bark, Otto Dov Kulka, Landscapes of the Metropolis of Death as lager essays? Imagination and memory towards the idea of anus mundi

The article is an attempt at interpretation of two essays, which may be called „lager” essays. These are Bark written by G. Didi-Huberman and Landscapes of the Metropolis of Death written by O.D. Kulka, their books are deeply related as the negation or at least as the questioning of the title of aut...

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Main Author: Katarzyna Kuczyńska-Koschany
Format: Article
Language:English
Published: Lodz University Press 2018-01-01
Series:Acta Universitatis Lodziensis. Folia Litteraria Polonica
Subjects:
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Online Access:https://czasopisma.uni.lodz.pl/polonica/article/view/3161
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spelling doaj-4b39fbafb03c4fe894ca77dbb72d77632020-11-25T00:28:28ZengLodz University PressActa Universitatis Lodziensis. Folia Litteraria Polonica1505-90572353-19082018-01-0147110.18778/1505-9057.47.092407Georges Didi-Huberman, Bark, Otto Dov Kulka, Landscapes of the Metropolis of Death as lager essays? Imagination and memory towards the idea of anus mundiKatarzyna Kuczyńska-Koschany0Uniwersytet im. Adama Mickiewicza w Poznaniu, Instytut Filologii Polskiej, Zakład Badań nad Tradycją Europejską, ul. Fredry 10, 61‑701 PoznańThe article is an attempt at interpretation of two essays, which may be called „lager” essays. These are Bark written by G. Didi-Huberman and Landscapes of the Metropolis of Death written by O.D. Kulka, their books are deeply related as the negation or at least as the questioning of the title of autobiographical book Anus mundi written by W. Kielar. Both authors do not describe Nazi concentration camp as „the anus of the world”. Their imagination is a post-imagination, their memory is a post-memory. In her paper Kuczyńska-Koschany considers the condition of the essay as quasi-genre after the Holocaust, after the genocide and in reference to the experience of a lager.https://czasopisma.uni.lodz.pl/polonica/article/view/3161-
collection DOAJ
language English
format Article
sources DOAJ
author Katarzyna Kuczyńska-Koschany
spellingShingle Katarzyna Kuczyńska-Koschany
Georges Didi-Huberman, Bark, Otto Dov Kulka, Landscapes of the Metropolis of Death as lager essays? Imagination and memory towards the idea of anus mundi
Acta Universitatis Lodziensis. Folia Litteraria Polonica
-
author_facet Katarzyna Kuczyńska-Koschany
author_sort Katarzyna Kuczyńska-Koschany
title Georges Didi-Huberman, Bark, Otto Dov Kulka, Landscapes of the Metropolis of Death as lager essays? Imagination and memory towards the idea of anus mundi
title_short Georges Didi-Huberman, Bark, Otto Dov Kulka, Landscapes of the Metropolis of Death as lager essays? Imagination and memory towards the idea of anus mundi
title_full Georges Didi-Huberman, Bark, Otto Dov Kulka, Landscapes of the Metropolis of Death as lager essays? Imagination and memory towards the idea of anus mundi
title_fullStr Georges Didi-Huberman, Bark, Otto Dov Kulka, Landscapes of the Metropolis of Death as lager essays? Imagination and memory towards the idea of anus mundi
title_full_unstemmed Georges Didi-Huberman, Bark, Otto Dov Kulka, Landscapes of the Metropolis of Death as lager essays? Imagination and memory towards the idea of anus mundi
title_sort georges didi-huberman, bark, otto dov kulka, landscapes of the metropolis of death as lager essays? imagination and memory towards the idea of anus mundi
publisher Lodz University Press
series Acta Universitatis Lodziensis. Folia Litteraria Polonica
issn 1505-9057
2353-1908
publishDate 2018-01-01
description The article is an attempt at interpretation of two essays, which may be called „lager” essays. These are Bark written by G. Didi-Huberman and Landscapes of the Metropolis of Death written by O.D. Kulka, their books are deeply related as the negation or at least as the questioning of the title of autobiographical book Anus mundi written by W. Kielar. Both authors do not describe Nazi concentration camp as „the anus of the world”. Their imagination is a post-imagination, their memory is a post-memory. In her paper Kuczyńska-Koschany considers the condition of the essay as quasi-genre after the Holocaust, after the genocide and in reference to the experience of a lager.
topic -
url https://czasopisma.uni.lodz.pl/polonica/article/view/3161
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