Altérité, palimpseste et non-lieu

This article aims to analyze a founding post-3/11 masterpiece, Kami-Sama 2011 by Kawakami Hiromi (Kōdansha, 2011). This rewriting of a previous work, which can be seen as a palimpsest, shows how a fragmented world can influence a fragmented act of writing, and how a contaminated one can also contami...

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Main Author: Cécile Duquenne
Format: Article
Language:Spanish
Published: Université d'Aix-Marseille 2018-07-01
Series:Cahiers d’Études Romanes
Subjects:
Online Access:http://journals.openedition.org/etudesromanes/7542
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spelling doaj-4ad28b313ede449f91338e9308eb35342020-11-24T21:59:53ZspaUniversité d'Aix-MarseilleCahiers d’Études Romanes0180-684X2271-14652018-07-013620322110.4000/etudesromanes.7542Altérité, palimpseste et non-lieuCécile DuquenneThis article aims to analyze a founding post-3/11 masterpiece, Kami-Sama 2011 by Kawakami Hiromi (Kōdansha, 2011). This rewriting of a previous work, which can be seen as a palimpsest, shows how a fragmented world can influence a fragmented act of writing, and how a contaminated one can also contaminate literature. Between the original and the palimpsest remains what can be called a “non lieu” (a concept developed by Alexis Nouss in La Condition de l’exilé, MMSH, 2015), a third textual area in which an active otherness is at work.http://journals.openedition.org/etudesromanes/7542literature post-3/11Kawakami (Hiromi)exilnon-lieu
collection DOAJ
language Spanish
format Article
sources DOAJ
author Cécile Duquenne
spellingShingle Cécile Duquenne
Altérité, palimpseste et non-lieu
Cahiers d’Études Romanes
literature post-3/11
Kawakami (Hiromi)
exil
non-lieu
author_facet Cécile Duquenne
author_sort Cécile Duquenne
title Altérité, palimpseste et non-lieu
title_short Altérité, palimpseste et non-lieu
title_full Altérité, palimpseste et non-lieu
title_fullStr Altérité, palimpseste et non-lieu
title_full_unstemmed Altérité, palimpseste et non-lieu
title_sort altérité, palimpseste et non-lieu
publisher Université d'Aix-Marseille
series Cahiers d’Études Romanes
issn 0180-684X
2271-1465
publishDate 2018-07-01
description This article aims to analyze a founding post-3/11 masterpiece, Kami-Sama 2011 by Kawakami Hiromi (Kōdansha, 2011). This rewriting of a previous work, which can be seen as a palimpsest, shows how a fragmented world can influence a fragmented act of writing, and how a contaminated one can also contaminate literature. Between the original and the palimpsest remains what can be called a “non lieu” (a concept developed by Alexis Nouss in La Condition de l’exilé, MMSH, 2015), a third textual area in which an active otherness is at work.
topic literature post-3/11
Kawakami (Hiromi)
exil
non-lieu
url http://journals.openedition.org/etudesromanes/7542
work_keys_str_mv AT cecileduquenne alteritepalimpsesteetnonlieu
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