Altérité, palimpseste et non-lieu
This article aims to analyze a founding post-3/11 masterpiece, Kami-Sama 2011 by Kawakami Hiromi (Kōdansha, 2011). This rewriting of a previous work, which can be seen as a palimpsest, shows how a fragmented world can influence a fragmented act of writing, and how a contaminated one can also contami...
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| Format: | Article |
| Language: | Spanish |
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Université d'Aix-Marseille
2018-07-01
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| Series: | Cahiers d’Études Romanes |
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| Online Access: | http://journals.openedition.org/etudesromanes/7542 |
| Summary: | This article aims to analyze a founding post-3/11 masterpiece, Kami-Sama 2011 by Kawakami Hiromi (Kōdansha, 2011). This rewriting of a previous work, which can be seen as a palimpsest, shows how a fragmented world can influence a fragmented act of writing, and how a contaminated one can also contaminate literature. Between the original and the palimpsest remains what can be called a “non lieu” (a concept developed by Alexis Nouss in La Condition de l’exilé, MMSH, 2015), a third textual area in which an active otherness is at work. |
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| ISSN: | 0180-684X 2271-1465 |