Siting Performance Philosophy: Positions, Encounters and Reflections at <em>Beirut: Bodies in Public</em>

Beirut: Bodies in Public was a three-day workshop that took place in Beirut, Lebanon from 9-11 October 2014, supported by a Performance Philosophy grant for interim conference events. The workshop integrated academic research with performances, movement workshops, film, and site-specific responses t...

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Main Authors: Ella Parry-Davies, Eliesh S.D.
Format: Article
Language:English
Published: Performance Philosophy 2015-04-01
Series:Performance Philosophy
Online Access:https://www.performancephilosophy.org/journal/article/view/16
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spelling doaj-4abeee87e66947ae80729384e43983992020-11-24T21:00:41ZengPerformance PhilosophyPerformance Philosophy2057-71762015-04-011125526410.21476/PP.2015.111633Siting Performance Philosophy: Positions, Encounters and Reflections at <em>Beirut: Bodies in Public</em>Ella Parry-Davies0Eliesh S.D.1King's College London/National University of SingaporeIndependent artist and researcherBeirut: Bodies in Public was a three-day workshop that took place in Beirut, Lebanon from 9-11 October 2014, supported by a Performance Philosophy grant for interim conference events. The workshop integrated academic research with performances, movement workshops, film, and site-specific responses to the city, and welcomed disciplinary perspectives from a broad range of fields. In this article, the convenors Ella Parry-Davies and Eliesh S.D. reflect on the central issues and encounters foregrounded by the event, and the disciplinary or methodological implications of the project for performance philosophy. Taking as its central provocation the controversial statement: “Art in public spaces doesn’t exist anymore”, the workshop sought to address the role of embodied practice in Beirut’s precarious public sites. Insofar as philosophy can be ‘performed’, it is grounded in the particularities of its social space, an utterance shaped by its historical and geopolitical locality. As a practice of performance philosophy, then, Beirut: Bodies in Public triangulated these two forms-of-knowing with a third: the interrogation presented by the site itself - its potentialities, contingencies and challenges.https://www.performancephilosophy.org/journal/article/view/16
collection DOAJ
language English
format Article
sources DOAJ
author Ella Parry-Davies
Eliesh S.D.
spellingShingle Ella Parry-Davies
Eliesh S.D.
Siting Performance Philosophy: Positions, Encounters and Reflections at <em>Beirut: Bodies in Public</em>
Performance Philosophy
author_facet Ella Parry-Davies
Eliesh S.D.
author_sort Ella Parry-Davies
title Siting Performance Philosophy: Positions, Encounters and Reflections at <em>Beirut: Bodies in Public</em>
title_short Siting Performance Philosophy: Positions, Encounters and Reflections at <em>Beirut: Bodies in Public</em>
title_full Siting Performance Philosophy: Positions, Encounters and Reflections at <em>Beirut: Bodies in Public</em>
title_fullStr Siting Performance Philosophy: Positions, Encounters and Reflections at <em>Beirut: Bodies in Public</em>
title_full_unstemmed Siting Performance Philosophy: Positions, Encounters and Reflections at <em>Beirut: Bodies in Public</em>
title_sort siting performance philosophy: positions, encounters and reflections at <em>beirut: bodies in public</em>
publisher Performance Philosophy
series Performance Philosophy
issn 2057-7176
publishDate 2015-04-01
description Beirut: Bodies in Public was a three-day workshop that took place in Beirut, Lebanon from 9-11 October 2014, supported by a Performance Philosophy grant for interim conference events. The workshop integrated academic research with performances, movement workshops, film, and site-specific responses to the city, and welcomed disciplinary perspectives from a broad range of fields. In this article, the convenors Ella Parry-Davies and Eliesh S.D. reflect on the central issues and encounters foregrounded by the event, and the disciplinary or methodological implications of the project for performance philosophy. Taking as its central provocation the controversial statement: “Art in public spaces doesn’t exist anymore”, the workshop sought to address the role of embodied practice in Beirut’s precarious public sites. Insofar as philosophy can be ‘performed’, it is grounded in the particularities of its social space, an utterance shaped by its historical and geopolitical locality. As a practice of performance philosophy, then, Beirut: Bodies in Public triangulated these two forms-of-knowing with a third: the interrogation presented by the site itself - its potentialities, contingencies and challenges.
url https://www.performancephilosophy.org/journal/article/view/16
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