Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books

As hip hop slowly settles into middle age, the pitched battles of its younger years have frozen in a stalemate. Critics of hip hop repeat the same attacks they leveled at NWA, decrying violence, misogyny, and homophobia in hiphop lyrics, and in the most extreme cases branding its creators as Typhoi...

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Main Author: Beau Bothwell
Format: Article
Language:English
Published: Columbia University Libraries 2010-03-01
Series:Current Musicology
Online Access:https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5175
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spelling doaj-4aae4e5c4d424b44b0bd9144307be60d2020-11-25T03:52:17ZengColumbia University LibrariesCurrent Musicology0011-37352010-03-018910.7916/cm.v0i89.5175Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas BooksBeau Bothwell As hip hop slowly settles into middle age, the pitched battles of its younger years have frozen in a stalemate. Critics of hip hop repeat the same attacks they leveled at NWA, decrying violence, misogyny, and homophobia in hiphop lyrics, and in the most extreme cases branding its creators as Typhoid Marys for a particularly virulent social pathology. Defenders respond with rebuttals codified in the early 1990s, lauding the aesthetic value and social relevance of their favorite corners of the hip-hop world, eliding any problems inherent in the rest, and questioning the true motives of hip hop’s critics. As Tricia Rose tells it, these arguments have remained essentially static, even as hip hop experienced two remarkable-though opposing-developments. https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5175
collection DOAJ
language English
format Article
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author Beau Bothwell
spellingShingle Beau Bothwell
Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books
Current Musicology
author_facet Beau Bothwell
author_sort Beau Bothwell
title Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books
title_short Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books
title_full Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books
title_fullStr Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books
title_full_unstemmed Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books
title_sort review of tricia rose. 2008. the hip hop wars: what we talk about when we talk about hip hop-and why it matters. new york: basic/civitas books
publisher Columbia University Libraries
series Current Musicology
issn 0011-3735
publishDate 2010-03-01
description As hip hop slowly settles into middle age, the pitched battles of its younger years have frozen in a stalemate. Critics of hip hop repeat the same attacks they leveled at NWA, decrying violence, misogyny, and homophobia in hiphop lyrics, and in the most extreme cases branding its creators as Typhoid Marys for a particularly virulent social pathology. Defenders respond with rebuttals codified in the early 1990s, lauding the aesthetic value and social relevance of their favorite corners of the hip-hop world, eliding any problems inherent in the rest, and questioning the true motives of hip hop’s critics. As Tricia Rose tells it, these arguments have remained essentially static, even as hip hop experienced two remarkable-though opposing-developments.
url https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5175
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