Film as Modern Medium and Ontology

The interest in television programming, its content, even its semiotics and at times the various levels of rhetoric, economic context and controlling interests, have been thoroughly analyzed. This is even the case with the analyses of the phenomenon of reruns, although one could surmise that the ana...

Full description

Bibliographic Details
Main Author: Algis Mickūnas
Format: Article
Language:English
Published: Vilnius Gediminas Technical University 2015-07-01
Series:Santalka: Filosofija, Komunikacija
Subjects:
eye
Online Access:http://dx.doi.org/10.3846/cpc.2015.222
id doaj-4a9b195cc46740898f26474b53f13258
record_format Article
spelling doaj-4a9b195cc46740898f26474b53f132582020-11-24T22:49:35ZengVilnius Gediminas Technical UniversitySantalka: Filosofija, Komunikacija2029-63202029-63392015-07-01231445110.3846/cpc.2015.222Film as Modern Medium and OntologyAlgis Mickūnas0Ohio UniversityThe interest in television programming, its content, even its semiotics and at times the various levels of rhetoric, economic context and controlling interests, have been thoroughly analyzed. This is even the case with the analyses of the phenomenon of reruns, although one could surmise that the analyses are somewhat artificial. What has been left out of these important contributions are some of the most fundamental compositions of media in general and television in particular. These compositions will be called ontological, i.e. explicating the presumed nature of media, all the way to its very substance. The latter can only be intimated, since the more comprehensible aspects will be offered first.http://dx.doi.org/10.3846/cpc.2015.222eyemediaontologyscreentelevision medium
collection DOAJ
language English
format Article
sources DOAJ
author Algis Mickūnas
spellingShingle Algis Mickūnas
Film as Modern Medium and Ontology
Santalka: Filosofija, Komunikacija
eye
media
ontology
screen
television medium
author_facet Algis Mickūnas
author_sort Algis Mickūnas
title Film as Modern Medium and Ontology
title_short Film as Modern Medium and Ontology
title_full Film as Modern Medium and Ontology
title_fullStr Film as Modern Medium and Ontology
title_full_unstemmed Film as Modern Medium and Ontology
title_sort film as modern medium and ontology
publisher Vilnius Gediminas Technical University
series Santalka: Filosofija, Komunikacija
issn 2029-6320
2029-6339
publishDate 2015-07-01
description The interest in television programming, its content, even its semiotics and at times the various levels of rhetoric, economic context and controlling interests, have been thoroughly analyzed. This is even the case with the analyses of the phenomenon of reruns, although one could surmise that the analyses are somewhat artificial. What has been left out of these important contributions are some of the most fundamental compositions of media in general and television in particular. These compositions will be called ontological, i.e. explicating the presumed nature of media, all the way to its very substance. The latter can only be intimated, since the more comprehensible aspects will be offered first.
topic eye
media
ontology
screen
television medium
url http://dx.doi.org/10.3846/cpc.2015.222
work_keys_str_mv AT algismickunas filmasmodernmediumandontology
_version_ 1725675796462305280