The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art
Punk was visual as much as it was musical. In recent years, art historical research of punk works of art has increased. However, a thorough analysis of punk art's themes, motifs, and methods is still lacking. This article examines infantilism and dilettantism as two key notions within punk art,...
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International Association of Research Institutes in the History of Art (RIHA)
2018-11-01
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doaj-4a8e07879341413f829c3e6ac3784b532020-11-25T00:33:01ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal 2190-33282018-11-010201The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk ArtSkov, Marie ArlethPunk was visual as much as it was musical. In recent years, art historical research of punk works of art has increased. However, a thorough analysis of punk art's themes, motifs, and methods is still lacking. This article examines infantilism and dilettantism as two key notions within punk art, as illustrated by the collage L'ecole de l'art infantile (COUM Transmissions, 1974) and the super 8 film Das Leben des Sid Vicious (Die Tödliche Doris, 1981). Analysis shows how concepts of childishness, nonconformism and anti-authoritarianism are interconnected both with punk's DIY ethos and its self-identification as a youth movement. Furthermore, the article discusses punk art's circumvention of antithetical concepts, such as failure vs. success, innocence vs. guilt, reality vs. fantasy, skill vs. incompetence.https://www.riha-journal.org/articles/2018/0201-skovPunkPunk ArtCOUM TransmissionsDie Tödliche Doris |
collection |
DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Skov, Marie Arleth |
spellingShingle |
Skov, Marie Arleth The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art RIHA Journal Punk Punk Art COUM Transmissions Die Tödliche Doris |
author_facet |
Skov, Marie Arleth |
author_sort |
Skov, Marie Arleth |
title |
The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art |
title_short |
The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art |
title_full |
The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art |
title_fullStr |
The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art |
title_full_unstemmed |
The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art |
title_sort |
art of the enfants terribles: infantilism and dilettantism in punk art |
publisher |
International Association of Research Institutes in the History of Art (RIHA) |
series |
RIHA Journal |
issn |
2190-3328 |
publishDate |
2018-11-01 |
description |
Punk was visual as much as it was musical. In recent years, art historical research of punk works of art has increased. However, a thorough analysis of punk art's themes, motifs, and methods is still lacking. This article examines infantilism and dilettantism as two key notions within punk art, as illustrated by the collage L'ecole de l'art infantile (COUM Transmissions, 1974) and the super 8 film Das Leben des Sid Vicious (Die Tödliche Doris, 1981). Analysis shows how concepts of childishness, nonconformism and anti-authoritarianism are interconnected both with punk's DIY ethos and its self-identification as a youth movement. Furthermore, the article discusses punk art's circumvention of antithetical concepts, such as failure vs. success, innocence vs. guilt, reality vs. fantasy, skill vs. incompetence. |
topic |
Punk Punk Art COUM Transmissions Die Tödliche Doris |
url |
https://www.riha-journal.org/articles/2018/0201-skov |
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