The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art

Punk was visual as much as it was musical. In recent years, art historical research of punk works of art has increased. However, a thorough analysis of punk art's themes, motifs, and methods is still lacking. This article examines infantilism and dilettantism as two key notions within punk art,...

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Main Author: Skov, Marie Arleth
Format: Article
Language:deu
Published: International Association of Research Institutes in the History of Art (RIHA) 2018-11-01
Series:RIHA Journal
Subjects:
Online Access:https://www.riha-journal.org/articles/2018/0201-skov
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spelling doaj-4a8e07879341413f829c3e6ac3784b532020-11-25T00:33:01ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal 2190-33282018-11-010201The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk ArtSkov, Marie ArlethPunk was visual as much as it was musical. In recent years, art historical research of punk works of art has increased. However, a thorough analysis of punk art's themes, motifs, and methods is still lacking. This article examines infantilism and dilettantism as two key notions within punk art, as illustrated by the collage L'ecole de l'art infantile (COUM Transmissions, 1974) and the super 8 film Das Leben des Sid Vicious (Die Tödliche Doris, 1981). Analysis shows how concepts of childishness, nonconformism and anti-authoritarianism are interconnected both with punk's DIY ethos and its self-identification as a youth movement. Furthermore, the article discusses punk art's circumvention of antithetical concepts, such as failure vs. success, innocence vs. guilt, reality vs. fantasy, skill vs. incompetence.https://www.riha-journal.org/articles/2018/0201-skovPunkPunk ArtCOUM TransmissionsDie Tödliche Doris
collection DOAJ
language deu
format Article
sources DOAJ
author Skov, Marie Arleth
spellingShingle Skov, Marie Arleth
The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art
RIHA Journal
Punk
Punk Art
COUM Transmissions
Die Tödliche Doris
author_facet Skov, Marie Arleth
author_sort Skov, Marie Arleth
title The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art
title_short The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art
title_full The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art
title_fullStr The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art
title_full_unstemmed The Art of the Enfants Terribles: Infantilism and Dilettantism in Punk Art
title_sort art of the enfants terribles: infantilism and dilettantism in punk art
publisher International Association of Research Institutes in the History of Art (RIHA)
series RIHA Journal
issn 2190-3328
publishDate 2018-11-01
description Punk was visual as much as it was musical. In recent years, art historical research of punk works of art has increased. However, a thorough analysis of punk art's themes, motifs, and methods is still lacking. This article examines infantilism and dilettantism as two key notions within punk art, as illustrated by the collage L'ecole de l'art infantile (COUM Transmissions, 1974) and the super 8 film Das Leben des Sid Vicious (Die Tödliche Doris, 1981). Analysis shows how concepts of childishness, nonconformism and anti-authoritarianism are interconnected both with punk's DIY ethos and its self-identification as a youth movement. Furthermore, the article discusses punk art's circumvention of antithetical concepts, such as failure vs. success, innocence vs. guilt, reality vs. fantasy, skill vs. incompetence.
topic Punk
Punk Art
COUM Transmissions
Die Tödliche Doris
url https://www.riha-journal.org/articles/2018/0201-skov
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