Forgetting to Remember: Anamnesis and History in J. M. G. Le Clézio's Desert

Unlike most of Le Clezio's previous works. Desert has a specific historical framework. The story of the young boy Nour records the struggle of the Saharaoui people of the western Sahara to claim their land from the French invaders of the early twentieth century. A second narrative, set in the...

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Main Author: Kathleen White Smith
Format: Article
Language:English
Published: New Prairie Press 1985-09-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol10/iss1/8
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spelling doaj-4a565b458e06407aa668113dee2c457a2020-11-24T23:31:37ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44151985-09-0110110.4148/2334-4415.11765601627Forgetting to Remember: Anamnesis and History in J. M. G. Le Clézio's DesertKathleen White SmithUnlike most of Le Clezio's previous works. Desert has a specific historical framework. The story of the young boy Nour records the struggle of the Saharaoui people of the western Sahara to claim their land from the French invaders of the early twentieth century. A second narrative, set in the present, continues that story through the experiences of Lalla: unlike the story of her predecessor, the narrative in which she figures has no clear reference to the current, militant political situation established in the western Sahara by the independence movement known as Polisario. Containing both story and document, text and context, Le Clezio's novel offers a lesson in reading for history in a fictional text. Through the notion of anamnesis , a term prominent in Lacanian psychoanalytic theory as well as in mythic thought about memory, the two narratives come into focus as a single historical presence. Each story serves as a subtext for the other in an intratextual reading of the novel. The meaning of the early struggle for freedom emerges in the (re)telling of that history in the narrative of Lalla. Each new '"reading" of history is an interpretation that becomes itself a projection of a new story, a new form of the desire for meaning, through another narrative. Le Clézio's most recent novel is both an entry into history and a witness to the historical process.http://newprairiepress.org/sttcl/vol10/iss1/8
collection DOAJ
language English
format Article
sources DOAJ
author Kathleen White Smith
spellingShingle Kathleen White Smith
Forgetting to Remember: Anamnesis and History in J. M. G. Le Clézio's Desert
Studies in 20th & 21st Century Literature
author_facet Kathleen White Smith
author_sort Kathleen White Smith
title Forgetting to Remember: Anamnesis and History in J. M. G. Le Clézio's Desert
title_short Forgetting to Remember: Anamnesis and History in J. M. G. Le Clézio's Desert
title_full Forgetting to Remember: Anamnesis and History in J. M. G. Le Clézio's Desert
title_fullStr Forgetting to Remember: Anamnesis and History in J. M. G. Le Clézio's Desert
title_full_unstemmed Forgetting to Remember: Anamnesis and History in J. M. G. Le Clézio's Desert
title_sort forgetting to remember: anamnesis and history in j. m. g. le clézio's desert
publisher New Prairie Press
series Studies in 20th & 21st Century Literature
issn 2334-4415
publishDate 1985-09-01
description Unlike most of Le Clezio's previous works. Desert has a specific historical framework. The story of the young boy Nour records the struggle of the Saharaoui people of the western Sahara to claim their land from the French invaders of the early twentieth century. A second narrative, set in the present, continues that story through the experiences of Lalla: unlike the story of her predecessor, the narrative in which she figures has no clear reference to the current, militant political situation established in the western Sahara by the independence movement known as Polisario. Containing both story and document, text and context, Le Clezio's novel offers a lesson in reading for history in a fictional text. Through the notion of anamnesis , a term prominent in Lacanian psychoanalytic theory as well as in mythic thought about memory, the two narratives come into focus as a single historical presence. Each story serves as a subtext for the other in an intratextual reading of the novel. The meaning of the early struggle for freedom emerges in the (re)telling of that history in the narrative of Lalla. Each new '"reading" of history is an interpretation that becomes itself a projection of a new story, a new form of the desire for meaning, through another narrative. Le Clézio's most recent novel is both an entry into history and a witness to the historical process.
url http://newprairiepress.org/sttcl/vol10/iss1/8
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