Dancing in Your Head: An Interdisciplinary Review
The aim of this review is to highlight the most relevant contributions on dance in neuroscientific research. Neuroscience has analyzed the mirror system through neuroimaging techniques, testing its role in imitative learning, in the recognition of other people's emotions and especially in the u...
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2021-04-01
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doaj-4a263ebda28842b3bbad4d1a4a3818e32021-04-30T04:47:56ZengFrontiers Media S.A.Frontiers in Psychology1664-10782021-04-011210.3389/fpsyg.2021.649121649121Dancing in Your Head: An Interdisciplinary ReviewAndrea Zardi0Edoardo Giovanni Carlotti1Alessandro Pontremoli2Rosalba Morese3Rosalba Morese4Department of Humanities, School of Human Sciences, University of Turin, Turin, ItalyDepartment of Humanities, School of Human Sciences, University of Turin, Turin, ItalyDepartment of Humanities, School of Human Sciences, University of Turin, Turin, ItalyFaculty of Communication, Culture and Society, Università della Svizzera Italiana, Lugano, SwitzerlandFaculty of Biomedical Sciences, Institute of Public Health, Università della Svizzera Italiana, Lugano, SwitzerlandThe aim of this review is to highlight the most relevant contributions on dance in neuroscientific research. Neuroscience has analyzed the mirror system through neuroimaging techniques, testing its role in imitative learning, in the recognition of other people's emotions and especially in the understanding of the motor behavior of others. This review analyses the literature related to five general areas: (I) breakthrough studies on the mirror system, and subsequent studies on its involvement in the prediction, the execution, the control of movement, and in the process of “embodied simulation” within the intersubjective relationship; (II) research focused on investigating the neural networks in action observation, and the neural correlates of motor expertise highlighted by comparative studies on different dance styles; (III) studies dealing with the viewer's experience of dance according to specific dance repertoires, which revealed the relevance of choreographic choices for aesthetic appreciation; (IV) studies focused on dance as an aesthetic experience, where both the emotional and the cultural dimension play a significant role, and whose investigation paves the way to further progress both in empirical and in phenomenological research methodologies; (V) collaboration-based experiments, in which neuroscientists and choreographers developed expertise-related questions, especially focusing on the multiple phenomena that underlie motor imagery.https://www.frontiersin.org/articles/10.3389/fpsyg.2021.649121/fulldancemirror neuronsneuroaestheticsmotor imageryembodied simulationaction observation |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Andrea Zardi Edoardo Giovanni Carlotti Alessandro Pontremoli Rosalba Morese Rosalba Morese |
spellingShingle |
Andrea Zardi Edoardo Giovanni Carlotti Alessandro Pontremoli Rosalba Morese Rosalba Morese Dancing in Your Head: An Interdisciplinary Review Frontiers in Psychology dance mirror neurons neuroaesthetics motor imagery embodied simulation action observation |
author_facet |
Andrea Zardi Edoardo Giovanni Carlotti Alessandro Pontremoli Rosalba Morese Rosalba Morese |
author_sort |
Andrea Zardi |
title |
Dancing in Your Head: An Interdisciplinary Review |
title_short |
Dancing in Your Head: An Interdisciplinary Review |
title_full |
Dancing in Your Head: An Interdisciplinary Review |
title_fullStr |
Dancing in Your Head: An Interdisciplinary Review |
title_full_unstemmed |
Dancing in Your Head: An Interdisciplinary Review |
title_sort |
dancing in your head: an interdisciplinary review |
publisher |
Frontiers Media S.A. |
series |
Frontiers in Psychology |
issn |
1664-1078 |
publishDate |
2021-04-01 |
description |
The aim of this review is to highlight the most relevant contributions on dance in neuroscientific research. Neuroscience has analyzed the mirror system through neuroimaging techniques, testing its role in imitative learning, in the recognition of other people's emotions and especially in the understanding of the motor behavior of others. This review analyses the literature related to five general areas: (I) breakthrough studies on the mirror system, and subsequent studies on its involvement in the prediction, the execution, the control of movement, and in the process of “embodied simulation” within the intersubjective relationship; (II) research focused on investigating the neural networks in action observation, and the neural correlates of motor expertise highlighted by comparative studies on different dance styles; (III) studies dealing with the viewer's experience of dance according to specific dance repertoires, which revealed the relevance of choreographic choices for aesthetic appreciation; (IV) studies focused on dance as an aesthetic experience, where both the emotional and the cultural dimension play a significant role, and whose investigation paves the way to further progress both in empirical and in phenomenological research methodologies; (V) collaboration-based experiments, in which neuroscientists and choreographers developed expertise-related questions, especially focusing on the multiple phenomena that underlie motor imagery. |
topic |
dance mirror neurons neuroaesthetics motor imagery embodied simulation action observation |
url |
https://www.frontiersin.org/articles/10.3389/fpsyg.2021.649121/full |
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