Free indirect speech as a means to introduce archaic style into the author’s narration: A Russian linguistics perspective

The phenomenon of free indirect speech was intensively studied in the 20th century from two fundamentally different directions. Some scholars viewed it as a special syntactic or stylistic-syntactic structure in comparison with direct and reported speech. Others considered it more as a poetic-stylist...

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Main Author: Gayane Petrosyan
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2018-03-01
Series:Training, Language and Culture
Subjects:
Online Access:https://rudn.tlcjournal.org/archive/2(1)/2(1)-05.pdf
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spelling doaj-49746230a81249c2aea3f3df461923c32020-11-25T02:59:22ZengPeoples’ Friendship University of Russia (RUDN University)Training, Language and Culture2520-20732521-442X2018-03-0121678210.29366/2018tlc.2.1.5Free indirect speech as a means to introduce archaic style into the author’s narration: A Russian linguistics perspectiveGayane Petrosyan0Stavropol State UniversityThe phenomenon of free indirect speech was intensively studied in the 20th century from two fundamentally different directions. Some scholars viewed it as a special syntactic or stylistic-syntactic structure in comparison with direct and reported speech. Others considered it more as a poetic-stylistic technique of characters’ speech reproduction in artistic works. The main aim of this research is to reveal the specific functions of free indirect speech in the genre of the historical novel and show their determining influence on the use of stylistic forms. The study shows that in the genre of historical novels the use of free indirect speech is represented in its small forms, in particular lexical, phraseological, phonetic and grammatical microforms, bearing the imprint of the living and documentary language of the epoch described. The paper also gives a detailed account of the studies concerned with aesthetic-stylistic approach to free indirect speech in Russian linguistics.https://rudn.tlcjournal.org/archive/2(1)/2(1)-05.pdfhistorical novelfree indirect speechreported speechdirect speecharchaismpoetic-stylistic device
collection DOAJ
language English
format Article
sources DOAJ
author Gayane Petrosyan
spellingShingle Gayane Petrosyan
Free indirect speech as a means to introduce archaic style into the author’s narration: A Russian linguistics perspective
Training, Language and Culture
historical novel
free indirect speech
reported speech
direct speech
archaism
poetic-stylistic device
author_facet Gayane Petrosyan
author_sort Gayane Petrosyan
title Free indirect speech as a means to introduce archaic style into the author’s narration: A Russian linguistics perspective
title_short Free indirect speech as a means to introduce archaic style into the author’s narration: A Russian linguistics perspective
title_full Free indirect speech as a means to introduce archaic style into the author’s narration: A Russian linguistics perspective
title_fullStr Free indirect speech as a means to introduce archaic style into the author’s narration: A Russian linguistics perspective
title_full_unstemmed Free indirect speech as a means to introduce archaic style into the author’s narration: A Russian linguistics perspective
title_sort free indirect speech as a means to introduce archaic style into the author’s narration: a russian linguistics perspective
publisher Peoples’ Friendship University of Russia (RUDN University)
series Training, Language and Culture
issn 2520-2073
2521-442X
publishDate 2018-03-01
description The phenomenon of free indirect speech was intensively studied in the 20th century from two fundamentally different directions. Some scholars viewed it as a special syntactic or stylistic-syntactic structure in comparison with direct and reported speech. Others considered it more as a poetic-stylistic technique of characters’ speech reproduction in artistic works. The main aim of this research is to reveal the specific functions of free indirect speech in the genre of the historical novel and show their determining influence on the use of stylistic forms. The study shows that in the genre of historical novels the use of free indirect speech is represented in its small forms, in particular lexical, phraseological, phonetic and grammatical microforms, bearing the imprint of the living and documentary language of the epoch described. The paper also gives a detailed account of the studies concerned with aesthetic-stylistic approach to free indirect speech in Russian linguistics.
topic historical novel
free indirect speech
reported speech
direct speech
archaism
poetic-stylistic device
url https://rudn.tlcjournal.org/archive/2(1)/2(1)-05.pdf
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