The Ontology of Death in M. Shishkin’s Novel The Letter Book

The purpose of the study is to characterize the understanding of the phenomenon of death in M. Shishkins novel The Letter Book . In this work, as well as in the literary world of Shishkin in general, the category of death appears as one of the most important objects of reflection. The opposite facet...

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Main Author: Daria V. Krotova
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2021-12-01
Series:RUDN Journal of Studies in Literature and Journalism
Subjects:
Online Access:http://journals.rudn.ru/literary-criticism/article/viewFile/26075/19227
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spelling doaj-49012af3ba5c4b94b32078c5638e8ea72021-03-30T21:41:21ZengPeoples’ Friendship University of Russia (RUDN University)RUDN Journal of Studies in Literature and Journalism2312-92202312-92472021-12-01261435110.22363/2312-9220-2021-26-1-43-5119918The Ontology of Death in M. Shishkin’s Novel The Letter BookDaria V. Krotova0Lomonosov Moscow State UniversityThe purpose of the study is to characterize the understanding of the phenomenon of death in M. Shishkins novel The Letter Book . In this work, as well as in the literary world of Shishkin in general, the category of death appears as one of the most important objects of reflection. The opposite facets in comprehension of this phenomenona are revealed: death as unconditional evil and monstrous absurdity (which is emphasized by the numerous anti-aesthetic characteristics of the images of dying and death in the novel), but at the same time, the phenomenon of death and the evil that it carries in itself are overcome, and mortality in the literary sphere of the novel is regarded not only as a destructive beginning, but also as a necessary element of ontological balance and an expression of the wisdom of the world order hidden from imperfect human consciousness. The idea of the deep internal unity of the categories of death and love in the novel is argued. Shishkins paradoxical idea of the thanatological element as a sphere of life creation is understood. Conclusions about the neomodernism guidelines of the writers work are formulated.http://journals.rudn.ru/literary-criticism/article/viewFile/26075/19227russian literaturemodern literatureshishkinthe letter bookthe theme of deaththe image of eternitycategory of wordneomodernism
collection DOAJ
language English
format Article
sources DOAJ
author Daria V. Krotova
spellingShingle Daria V. Krotova
The Ontology of Death in M. Shishkin’s Novel The Letter Book
RUDN Journal of Studies in Literature and Journalism
russian literature
modern literature
shishkin
the letter book
the theme of death
the image of eternity
category of word
neomodernism
author_facet Daria V. Krotova
author_sort Daria V. Krotova
title The Ontology of Death in M. Shishkin’s Novel The Letter Book
title_short The Ontology of Death in M. Shishkin’s Novel The Letter Book
title_full The Ontology of Death in M. Shishkin’s Novel The Letter Book
title_fullStr The Ontology of Death in M. Shishkin’s Novel The Letter Book
title_full_unstemmed The Ontology of Death in M. Shishkin’s Novel The Letter Book
title_sort ontology of death in m. shishkin’s novel the letter book
publisher Peoples’ Friendship University of Russia (RUDN University)
series RUDN Journal of Studies in Literature and Journalism
issn 2312-9220
2312-9247
publishDate 2021-12-01
description The purpose of the study is to characterize the understanding of the phenomenon of death in M. Shishkins novel The Letter Book . In this work, as well as in the literary world of Shishkin in general, the category of death appears as one of the most important objects of reflection. The opposite facets in comprehension of this phenomenona are revealed: death as unconditional evil and monstrous absurdity (which is emphasized by the numerous anti-aesthetic characteristics of the images of dying and death in the novel), but at the same time, the phenomenon of death and the evil that it carries in itself are overcome, and mortality in the literary sphere of the novel is regarded not only as a destructive beginning, but also as a necessary element of ontological balance and an expression of the wisdom of the world order hidden from imperfect human consciousness. The idea of the deep internal unity of the categories of death and love in the novel is argued. Shishkins paradoxical idea of the thanatological element as a sphere of life creation is understood. Conclusions about the neomodernism guidelines of the writers work are formulated.
topic russian literature
modern literature
shishkin
the letter book
the theme of death
the image of eternity
category of word
neomodernism
url http://journals.rudn.ru/literary-criticism/article/viewFile/26075/19227
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