Performing Austria: Protesting the Musical Nation
The Austrian national elections of 1999 and the subsequent government formation in 2000 sparked a wave of protests, both at home and abroad, due to the inclusion of the extreme-right populist Freedom Party of Austria (FPÖ) into the coalition. This article examines a body of protest music (ranging fr...
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International Association for the Study of Popular Music
2014-01-01
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doaj-48cc5cb7c701465885e2053aa094e6e02020-11-25T01:27:03ZengInternational Association for the Study of Popular MusicIASPM Journal2079-38712079-38712014-01-014152010.5429/2079-3871(2014)v4i1.2enPerforming Austria: Protesting the Musical NationAllyson Fiddler0Lancaster UniversityThe Austrian national elections of 1999 and the subsequent government formation in 2000 sparked a wave of protests, both at home and abroad, due to the inclusion of the extreme-right populist Freedom Party of Austria (FPÖ) into the coalition. This article examines a body of protest music (ranging from heavy metal, rock and punk, to mock-choral and microtonal) that came about between 1999 and 2004 as a direct response to the turn in Austrian politics towards the extreme right. In interrogating this protest music I discern an important and hitherto underresearched facet of identity-(de)construction in Austria’s artistic self-expression. It suggests a highly politicized counter-image to the usual, musically inspired representations of Austria, the land more readily associated abroad with Mozart and Haydn, the Vienna boys’ choir, waltzing and yodelling. The music here is interrogated for the textual and musical strategies it deploys, and the spaces and icons of protest performance are probed for their efficacy and for the political interventions that they engenderhttps://iaspmjournal.net/index.php/IASPM_Journal/article/view/657/pdf_1protest musicaustriafar-right politicsanti-far-right politics |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Allyson Fiddler |
spellingShingle |
Allyson Fiddler Performing Austria: Protesting the Musical Nation IASPM Journal protest music austria far-right politics anti-far-right politics |
author_facet |
Allyson Fiddler |
author_sort |
Allyson Fiddler |
title |
Performing Austria: Protesting the Musical Nation |
title_short |
Performing Austria: Protesting the Musical Nation |
title_full |
Performing Austria: Protesting the Musical Nation |
title_fullStr |
Performing Austria: Protesting the Musical Nation |
title_full_unstemmed |
Performing Austria: Protesting the Musical Nation |
title_sort |
performing austria: protesting the musical nation |
publisher |
International Association for the Study of Popular Music |
series |
IASPM Journal |
issn |
2079-3871 2079-3871 |
publishDate |
2014-01-01 |
description |
The Austrian national elections of 1999 and the subsequent government formation in 2000 sparked a wave of protests, both at home and abroad, due to the inclusion of the extreme-right populist Freedom Party of Austria (FPÖ) into the coalition. This article examines a body of protest music (ranging from heavy metal, rock and punk, to mock-choral and microtonal) that came about between 1999 and 2004 as a direct response to the turn in Austrian politics towards the extreme right. In interrogating this protest music I discern an important and hitherto underresearched facet of identity-(de)construction in Austria’s artistic self-expression. It suggests a highly politicized counter-image to the usual, musically inspired representations of Austria, the land more readily associated abroad with Mozart and Haydn, the Vienna boys’ choir, waltzing and yodelling. The music here is interrogated for the textual and musical strategies it deploys, and the spaces and icons of protest performance are probed for their efficacy and for the political interventions that they engender |
topic |
protest music austria far-right politics anti-far-right politics |
url |
https://iaspmjournal.net/index.php/IASPM_Journal/article/view/657/pdf_1 |
work_keys_str_mv |
AT allysonfiddler performingaustriaprotestingthemusicalnation |
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