Sámi Heritage and IKEA Fusion: Maria Vinka’s Denationalized Design, Neocolonial Craft and Material Imaginaries Somewhere in Between

The designer Maria Vinka has a long and distinguished record of working for IKEA, but her identity is usually subsumed in the corporation’s larger brand. Investigating IKEA artifacts as cultural predicaments, this article questions the Swedishness of IKEA’s global commodities and the social intentio...

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Bibliographic Details
Main Author: Ezra Shales
Format: Article
Language:English
Published: University of Gothenburg 2020-06-01
Series:Parse Journal
Subjects:
Online Access:https://parsejournal.com/article/sami-heritage-and-ikea-fusion/
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spelling doaj-489cd2e30dd844d7993f8f2d635e9dce2021-03-25T12:24:26ZengUniversity of GothenburgParse Journal2002-09532020-06-0111 IntersectionsSámi Heritage and IKEA Fusion: Maria Vinka’s Denationalized Design, Neocolonial Craft and Material Imaginaries Somewhere in BetweenEzra Shales0Massachusetts College of ArtThe designer Maria Vinka has a long and distinguished record of working for IKEA, but her identity is usually subsumed in the corporation’s larger brand. Investigating IKEA artifacts as cultural predicaments, this article questions the Swedishness of IKEA’s global commodities and the social intentions of Vinka’s work for the company. Vinka’s Sámi heritage has been a resource for her contributions to the immense multi-national home furnishing chain store. But her work also transcends the typical boundaries of cultural identities and what we recognize as Sámi, or Swedish. Documenting this individual designer’s oeuvre, this article seeks to record one designer’s voice and intentions and contextualize them within a larger framework of design history, especially in relation to gender and cultural agency.https://parsejournal.com/article/sami-heritage-and-ikea-fusion/maria vinkaikeasámidesign historycommodificationscandinavian art and designswedish designcommercial appropriation
collection DOAJ
language English
format Article
sources DOAJ
author Ezra Shales
spellingShingle Ezra Shales
Sámi Heritage and IKEA Fusion: Maria Vinka’s Denationalized Design, Neocolonial Craft and Material Imaginaries Somewhere in Between
Parse Journal
maria vinka
ikea
sámi
design history
commodification
scandinavian art and design
swedish design
commercial appropriation
author_facet Ezra Shales
author_sort Ezra Shales
title Sámi Heritage and IKEA Fusion: Maria Vinka’s Denationalized Design, Neocolonial Craft and Material Imaginaries Somewhere in Between
title_short Sámi Heritage and IKEA Fusion: Maria Vinka’s Denationalized Design, Neocolonial Craft and Material Imaginaries Somewhere in Between
title_full Sámi Heritage and IKEA Fusion: Maria Vinka’s Denationalized Design, Neocolonial Craft and Material Imaginaries Somewhere in Between
title_fullStr Sámi Heritage and IKEA Fusion: Maria Vinka’s Denationalized Design, Neocolonial Craft and Material Imaginaries Somewhere in Between
title_full_unstemmed Sámi Heritage and IKEA Fusion: Maria Vinka’s Denationalized Design, Neocolonial Craft and Material Imaginaries Somewhere in Between
title_sort sámi heritage and ikea fusion: maria vinka’s denationalized design, neocolonial craft and material imaginaries somewhere in between
publisher University of Gothenburg
series Parse Journal
issn 2002-0953
publishDate 2020-06-01
description The designer Maria Vinka has a long and distinguished record of working for IKEA, but her identity is usually subsumed in the corporation’s larger brand. Investigating IKEA artifacts as cultural predicaments, this article questions the Swedishness of IKEA’s global commodities and the social intentions of Vinka’s work for the company. Vinka’s Sámi heritage has been a resource for her contributions to the immense multi-national home furnishing chain store. But her work also transcends the typical boundaries of cultural identities and what we recognize as Sámi, or Swedish. Documenting this individual designer’s oeuvre, this article seeks to record one designer’s voice and intentions and contextualize them within a larger framework of design history, especially in relation to gender and cultural agency.
topic maria vinka
ikea
sámi
design history
commodification
scandinavian art and design
swedish design
commercial appropriation
url https://parsejournal.com/article/sami-heritage-and-ikea-fusion/
work_keys_str_mv AT ezrashales samiheritageandikeafusionmariavinkasdenationalizeddesignneocolonialcraftandmaterialimaginariessomewhereinbetween
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