Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone
Musical idioms may appear side by side in a wide variety of historical, group-based or individual compositional styles used in the postmodern compositions. The reception interpretation of musical works is based on the idioms of musical speech as meaningful and expressive constants. Not only do the r...
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doaj-485c0bd82ed34a418b1cac1f6d9174e92021-04-02T13:20:24ZcesUniversity of Presov, Faculty of ArtsESPES1339-11192018-12-0172413126Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and TromboneRenáta Beličová0Institute of Literary and Artistic Communication, Faculty of Arts, Constantine the Philosopher University in NitraMusical idioms may appear side by side in a wide variety of historical, group-based or individual compositional styles used in the postmodern compositions. The reception interpretation of musical works is based on the idioms of musical speech as meaningful and expressive constants. Not only do the reveal the positive or negative ties of current musical language to the musical poetics from previous periods, they also update their meanings. The idiomatic musical structures naturally grow into the social system of music and thus become part of the deeper levels of European compositional tradition. Musical meanings are becoming typical for the particular sectors of European musical culture, and may even become their emblem. It is even likely that the idioms cease to be seen as a complex musical structure in the process of reception and they become a plain composition material, singular units of musical language. Using the postmodern composition Apolloopera by Marek Piaček, we illustrate the in-depth reference platform of musical idioms and examine the role of idiomatic units in the structure of a postmodern piece.https://espes.ff.unipo.sk/index.php/ESPES/article/view/133Reception-aesthetics of musicidiomatic musical structuresinterpretationintertextualityMarek PiačekApolloopera |
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language |
ces |
format |
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sources |
DOAJ |
author |
Renáta Beličová |
spellingShingle |
Renáta Beličová Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone ESPES Reception-aesthetics of music idiomatic musical structures interpretation intertextuality Marek Piaček Apolloopera |
author_facet |
Renáta Beličová |
author_sort |
Renáta Beličová |
title |
Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone |
title_short |
Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone |
title_full |
Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone |
title_fullStr |
Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone |
title_full_unstemmed |
Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone |
title_sort |
musical idioms as meaningful and expressive constants. marek piaček: apolloopera - a melodrama about bombing for the choir, actor and trombone |
publisher |
University of Presov, Faculty of Arts |
series |
ESPES |
issn |
1339-1119 |
publishDate |
2018-12-01 |
description |
Musical idioms may appear side by side in a wide variety of historical, group-based or individual compositional styles used in the postmodern compositions. The reception interpretation of musical works is based on the idioms of musical speech as meaningful and expressive constants. Not only do the reveal the positive or negative ties of current musical language to the musical poetics from previous periods, they also update their meanings. The idiomatic musical structures naturally grow into the social system of music and thus become part of the deeper levels of European compositional tradition. Musical meanings are becoming typical for the particular sectors of European musical culture, and may even become their emblem. It is even likely that the idioms cease to be seen as a complex musical structure in the process of reception and they become a plain composition material, singular units of musical language. Using the postmodern composition Apolloopera by Marek Piaček, we illustrate the in-depth reference platform of musical idioms and examine the role of idiomatic units in the structure of a postmodern piece. |
topic |
Reception-aesthetics of music idiomatic musical structures interpretation intertextuality Marek Piaček Apolloopera |
url |
https://espes.ff.unipo.sk/index.php/ESPES/article/view/133 |
work_keys_str_mv |
AT renatabelicova musicalidiomsasmeaningfulandexpressiveconstantsmarekpiacekapollooperaamelodramaaboutbombingforthechoiractorandtrombone |
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1721565349325832192 |