Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone

Musical idioms may appear side by side in a wide variety of historical, group-based or individual compositional styles used in the postmodern compositions. The reception interpretation of musical works is based on the idioms of musical speech as meaningful and expressive constants. Not only do the r...

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Main Author: Renáta Beličová
Format: Article
Language:ces
Published: University of Presov, Faculty of Arts 2018-12-01
Series:ESPES
Subjects:
Online Access:https://espes.ff.unipo.sk/index.php/ESPES/article/view/133
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spelling doaj-485c0bd82ed34a418b1cac1f6d9174e92021-04-02T13:20:24ZcesUniversity of Presov, Faculty of ArtsESPES1339-11192018-12-0172413126Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and TromboneRenáta Beličová0Institute of Literary and Artistic Communication, Faculty of Arts, Constantine the Philosopher University in NitraMusical idioms may appear side by side in a wide variety of historical, group-based or individual compositional styles used in the postmodern compositions. The reception interpretation of musical works is based on the idioms of musical speech as meaningful and expressive constants. Not only do the reveal the positive or negative ties of current musical language to the musical poetics from previous periods, they also update their meanings. The idiomatic musical structures naturally grow into the social system of music and thus become part of the deeper levels of European compositional tradition. Musical meanings are becoming typical for the particular sectors of European musical culture, and may even become their emblem. It is even likely that the idioms cease to be seen as a complex musical structure in the process of reception and they become a plain composition material, singular units of musical language. Using the postmodern composition Apolloopera by Marek Piaček, we illustrate the in-depth reference platform of musical idioms and examine the role of idiomatic units in the structure of a postmodern piece.https://espes.ff.unipo.sk/index.php/ESPES/article/view/133Reception-aesthetics of musicidiomatic musical structuresinterpretationintertextualityMarek PiačekApolloopera
collection DOAJ
language ces
format Article
sources DOAJ
author Renáta Beličová
spellingShingle Renáta Beličová
Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone
ESPES
Reception-aesthetics of music
idiomatic musical structures
interpretation
intertextuality
Marek Piaček
Apolloopera
author_facet Renáta Beličová
author_sort Renáta Beličová
title Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone
title_short Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone
title_full Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone
title_fullStr Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone
title_full_unstemmed Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone
title_sort musical idioms as meaningful and expressive constants. marek piaček: apolloopera - a melodrama about bombing for the choir, actor and trombone
publisher University of Presov, Faculty of Arts
series ESPES
issn 1339-1119
publishDate 2018-12-01
description Musical idioms may appear side by side in a wide variety of historical, group-based or individual compositional styles used in the postmodern compositions. The reception interpretation of musical works is based on the idioms of musical speech as meaningful and expressive constants. Not only do the reveal the positive or negative ties of current musical language to the musical poetics from previous periods, they also update their meanings. The idiomatic musical structures naturally grow into the social system of music and thus become part of the deeper levels of European compositional tradition. Musical meanings are becoming typical for the particular sectors of European musical culture, and may even become their emblem. It is even likely that the idioms cease to be seen as a complex musical structure in the process of reception and they become a plain composition material, singular units of musical language. Using the postmodern composition Apolloopera by Marek Piaček, we illustrate the in-depth reference platform of musical idioms and examine the role of idiomatic units in the structure of a postmodern piece.
topic Reception-aesthetics of music
idiomatic musical structures
interpretation
intertextuality
Marek Piaček
Apolloopera
url https://espes.ff.unipo.sk/index.php/ESPES/article/view/133
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