Waiting and Disenchantment: Kourouma's 'Les Soleils des Indépendances' and Oupoch's 'En attendant la Liberté'

Like Samuel Beckett's characters in En attendant Godot, the protagonists of Ahmadou Kourouma's Les Soleils des Indépendances and Gnaoulé Oupoh's En Attendant la Liberté wait for something to happen to change their lives. As they wait, they ascribe to the object of waiting an absolu...

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Main Author: Godwin Okebaram Uwah
Format: Article
Language:English
Published: Gents Afrika Platform, Afrika Brug 1987-03-01
Series:Afrika Focus
Online Access:https://ojs.ugent.be/AF/article/view/6596
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spelling doaj-481764af84d149dba1897e1c512d2f7e2020-11-24T22:04:09ZengGents Afrika Platform, Afrika BrugAfrika Focus0772-084X0772-084X1987-03-0131-210.21825/af.v3i1-2.65966596Waiting and Disenchantment: Kourouma's 'Les Soleils des Indépendances' and Oupoch's 'En attendant la Liberté'Godwin Okebaram Uwah0Languages Department College of CharlestonLike Samuel Beckett's characters in En attendant Godot, the protagonists of Ahmadou Kourouma's Les Soleils des Indépendances and Gnaoulé Oupoh's En Attendant la Liberté wait for something to happen to change their lives. As they wait, they ascribe to the object of waiting an absolute certainty translated in terms of recognition, realization of the promises of independence, continuity of dynasty, freedom, and other good life-values. Ultimately, disenchantment displaces hope; the object of waiting eludes them and their general condition either worsens or, at best, remains static. Paradoxically, the characters continue to wait in anticipation of a turn-around in their destiny. Waiting thus becomes a type of imprisonment. To break the impasse, Oupoh seems to advocate continued struggle and a timely confrontation to effect change. Kourouma, on the other hand, appears to endorse existential revolt and self-abnegation; in his estimation, any change that does not liberate man from his Self merely perpetuates self-imprisonment. But for both the waiting game continues, and so does the paradox. KEYWORDS : West Africa, Kourouma, literature, motives, Oupohhttps://ojs.ugent.be/AF/article/view/6596
collection DOAJ
language English
format Article
sources DOAJ
author Godwin Okebaram Uwah
spellingShingle Godwin Okebaram Uwah
Waiting and Disenchantment: Kourouma's 'Les Soleils des Indépendances' and Oupoch's 'En attendant la Liberté'
Afrika Focus
author_facet Godwin Okebaram Uwah
author_sort Godwin Okebaram Uwah
title Waiting and Disenchantment: Kourouma's 'Les Soleils des Indépendances' and Oupoch's 'En attendant la Liberté'
title_short Waiting and Disenchantment: Kourouma's 'Les Soleils des Indépendances' and Oupoch's 'En attendant la Liberté'
title_full Waiting and Disenchantment: Kourouma's 'Les Soleils des Indépendances' and Oupoch's 'En attendant la Liberté'
title_fullStr Waiting and Disenchantment: Kourouma's 'Les Soleils des Indépendances' and Oupoch's 'En attendant la Liberté'
title_full_unstemmed Waiting and Disenchantment: Kourouma's 'Les Soleils des Indépendances' and Oupoch's 'En attendant la Liberté'
title_sort waiting and disenchantment: kourouma's 'les soleils des indépendances' and oupoch's 'en attendant la liberté'
publisher Gents Afrika Platform, Afrika Brug
series Afrika Focus
issn 0772-084X
0772-084X
publishDate 1987-03-01
description Like Samuel Beckett's characters in En attendant Godot, the protagonists of Ahmadou Kourouma's Les Soleils des Indépendances and Gnaoulé Oupoh's En Attendant la Liberté wait for something to happen to change their lives. As they wait, they ascribe to the object of waiting an absolute certainty translated in terms of recognition, realization of the promises of independence, continuity of dynasty, freedom, and other good life-values. Ultimately, disenchantment displaces hope; the object of waiting eludes them and their general condition either worsens or, at best, remains static. Paradoxically, the characters continue to wait in anticipation of a turn-around in their destiny. Waiting thus becomes a type of imprisonment. To break the impasse, Oupoh seems to advocate continued struggle and a timely confrontation to effect change. Kourouma, on the other hand, appears to endorse existential revolt and self-abnegation; in his estimation, any change that does not liberate man from his Self merely perpetuates self-imprisonment. But for both the waiting game continues, and so does the paradox. KEYWORDS : West Africa, Kourouma, literature, motives, Oupoh
url https://ojs.ugent.be/AF/article/view/6596
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