Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833)
The aim of this work is to analyze what were the main areas of intervention of the police respect the musical culture. To do this, at first we inquire about the action of musicians, theater manager and officials of the provincial government at the time of claim and regulate activities, contracts and...
Main Author: | Guillermina Mariel Guillamon |
---|---|
Format: | Article |
Language: | English |
Published: |
Universidad Nacional de La Plata
2017-03-01
|
Series: | Trabajos y Comunicaciones |
Subjects: | |
Online Access: | http://www.trabajosycomunicaciones.fahce.unlp.edu.ar/article/view/6635 |
Similar Items
-
Taste, agents, spaces and knowledge: the constitution of a “musical culture” in the Buenos Aires press at the beginning of the 19th century
by: Guillermina Mariel Guillamon
Published: (2020-11-01) -
De aficiones y oficios musicales. Uso, apropiación y circulación de pianos en Buenos Aires (1820-1840)
by: Guillermina Guillamón
Published: (2020-05-01) -
Todo se dice en música: La presencia de la estética romántica en la prensa musical porteña (Buenos Aires, 1837- 1838)
by: Guillermina Guillamón
Published: (2016-06-01) -
Prensa y cultura musical: los casos del Boletín Musical y La Moda (Bs. As.1837-38)
by: Guillermina Mariel Guillamon
Published: (2017-11-01) -
Tener amor es morirse. Poetry, Music and Romanticism In El Cancionero Argentino (Buenos Aires, 1837-1838)
by: Guillermina Mariel Guillamon
Published: (2016-09-01)