Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833)
The aim of this work is to analyze what were the main areas of intervention of the police respect the musical culture. To do this, at first we inquire about the action of musicians, theater manager and officials of the provincial government at the time of claim and regulate activities, contracts and...
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Universidad Nacional de La Plata
2017-03-01
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Online Access: | http://www.trabajosycomunicaciones.fahce.unlp.edu.ar/article/view/6635 |
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doaj-4804dd0aba694086b31ba5eb992ebe952021-01-02T09:52:22ZengUniversidad Nacional de La PlataTrabajos y Comunicaciones0325-173X2346-89712017-03-01045e031e03110.24215/TyCe0316057Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833)Guillermina Mariel Guillamon0Universidad Nacional de Tres de Febrero - CONICETThe aim of this work is to analyze what were the main areas of intervention of the police respect the musical culture. To do this, at first we inquire about the action of musicians, theater manager and officials of the provincial government at the time of claim and regulate activities, contracts and materials spaces through the police. In a second part, we aprroach about that that was enunciated as part of the " desirable order” for activities and musical practices , customs and habits of the public frequent the theater Coliseo Provisional, rights and obligations of the theater manager , musicians and government.http://www.trabajosycomunicaciones.fahce.unlp.edu.ar/article/view/6635Cultura musicalPolicíaTeatroCostumbres y hábitos |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Guillermina Mariel Guillamon |
spellingShingle |
Guillermina Mariel Guillamon Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833) Trabajos y Comunicaciones Cultura musical Policía Teatro Costumbres y hábitos |
author_facet |
Guillermina Mariel Guillamon |
author_sort |
Guillermina Mariel Guillamon |
title |
Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833) |
title_short |
Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833) |
title_full |
Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833) |
title_fullStr |
Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833) |
title_full_unstemmed |
Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833) |
title_sort |
regulate the culture: the police intervention in musical practices (buenos aires, 1820-1833) |
publisher |
Universidad Nacional de La Plata |
series |
Trabajos y Comunicaciones |
issn |
0325-173X 2346-8971 |
publishDate |
2017-03-01 |
description |
The aim of this work is to analyze what were the main areas of intervention of the police respect the musical culture. To do this, at first we inquire about the action of musicians, theater manager and officials of the provincial government at the time of claim and regulate activities, contracts and materials spaces through the police. In a second part, we aprroach about that that was enunciated as part of the " desirable order” for activities and musical practices , customs and habits of the public frequent the theater Coliseo Provisional, rights and obligations of the theater manager , musicians and government. |
topic |
Cultura musical Policía Teatro Costumbres y hábitos |
url |
http://www.trabajosycomunicaciones.fahce.unlp.edu.ar/article/view/6635 |
work_keys_str_mv |
AT guillerminamarielguillamon regulatetheculturethepoliceinterventioninmusicalpracticesbuenosaires18201833 |
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1724355783969210368 |