Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833)

The aim of this work is to analyze what were the main areas of intervention of the police respect the musical culture. To do this, at first we inquire about the action of musicians, theater manager and officials of the provincial government at the time of claim and regulate activities, contracts and...

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Main Author: Guillermina Mariel Guillamon
Format: Article
Language:English
Published: Universidad Nacional de La Plata 2017-03-01
Series:Trabajos y Comunicaciones
Subjects:
Online Access:http://www.trabajosycomunicaciones.fahce.unlp.edu.ar/article/view/6635
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spelling doaj-4804dd0aba694086b31ba5eb992ebe952021-01-02T09:52:22ZengUniversidad Nacional de La PlataTrabajos y Comunicaciones0325-173X2346-89712017-03-01045e031e03110.24215/TyCe0316057Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833)Guillermina Mariel Guillamon0Universidad Nacional de Tres de Febrero - CONICETThe aim of this work is to analyze what were the main areas of intervention of the police respect the musical culture. To do this, at first we inquire about the action of musicians, theater manager and officials of the provincial government at the time of claim and regulate activities, contracts and materials spaces through the police. In a second part, we aprroach about that that was enunciated as part of the " desirable order” for activities and musical practices , customs and habits of the public frequent the theater Coliseo Provisional, rights and obligations of the theater manager , musicians and government.http://www.trabajosycomunicaciones.fahce.unlp.edu.ar/article/view/6635Cultura musicalPolicíaTeatroCostumbres y hábitos
collection DOAJ
language English
format Article
sources DOAJ
author Guillermina Mariel Guillamon
spellingShingle Guillermina Mariel Guillamon
Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833)
Trabajos y Comunicaciones
Cultura musical
Policía
Teatro
Costumbres y hábitos
author_facet Guillermina Mariel Guillamon
author_sort Guillermina Mariel Guillamon
title Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833)
title_short Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833)
title_full Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833)
title_fullStr Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833)
title_full_unstemmed Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833)
title_sort regulate the culture: the police intervention in musical practices (buenos aires, 1820-1833)
publisher Universidad Nacional de La Plata
series Trabajos y Comunicaciones
issn 0325-173X
2346-8971
publishDate 2017-03-01
description The aim of this work is to analyze what were the main areas of intervention of the police respect the musical culture. To do this, at first we inquire about the action of musicians, theater manager and officials of the provincial government at the time of claim and regulate activities, contracts and materials spaces through the police. In a second part, we aprroach about that that was enunciated as part of the " desirable order” for activities and musical practices , customs and habits of the public frequent the theater Coliseo Provisional, rights and obligations of the theater manager , musicians and government.
topic Cultura musical
Policía
Teatro
Costumbres y hábitos
url http://www.trabajosycomunicaciones.fahce.unlp.edu.ar/article/view/6635
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