Casarse con una viuda. "El reñidero" y la reescritura fílmica de éxitos teatrales en el Nuevo Cine Argentino / Marrying a widow. "El reñidero" and the filmic rewriting of theatrical successes in the new Argentinian cinema
The article endeavors to analyze the process of transferring the play El reñidero in the Argentinean cinema during the sixties, seeking to establish an analytical methodology different from that implemented by the tradition of local studies on the subject. Based on a comparative review of staging de...
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Universidad Nacional de La Pampa
2017-06-01
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Online Access: | https://cerac.unlpam.edu.ar/index.php/anclajes/article/view/1232 |
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doaj-47434042762141dd83c635e7a93f58d82020-11-25T01:49:51ZspaUniversidad Nacional de La PampaAnclajes0329-38071851-46692017-06-0121259751020Casarse con una viuda. "El reñidero" y la reescritura fílmica de éxitos teatrales en el Nuevo Cine Argentino / Marrying a widow. "El reñidero" and the filmic rewriting of theatrical successes in the new Argentinian cinemaJorge Sala0Instituto de Historia del Arte Argentino y Latinoamericano “Luís Ordaz” Universidad de Buenos Aires Consejo Nacional de Investigaciones Científicas y TecnológicasThe article endeavors to analyze the process of transferring the play El reñidero in the Argentinean cinema during the sixties, seeking to establish an analytical methodology different from that implemented by the tradition of local studies on the subject. Based on a comparative review of staging decisions with a view on the role played by the contextual aspect within this process, the case study seeks to distance itself from a perspective focused exclusively on the approach of the connections that films establish with previous dramatic texts. The research aims to dismantle the various significant layers, structured in the manner of a palimpsest, that converge in the film. The essay draws attention to the way in which the notion of cinematographic “author” affects the process of transferring this work to the screen.https://cerac.unlpam.edu.ar/index.php/anclajes/article/view/1232rené mugicacine argentinoanálisis fílmicointermedialidadartes escénicas |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Jorge Sala |
spellingShingle |
Jorge Sala Casarse con una viuda. "El reñidero" y la reescritura fílmica de éxitos teatrales en el Nuevo Cine Argentino / Marrying a widow. "El reñidero" and the filmic rewriting of theatrical successes in the new Argentinian cinema Anclajes rené mugica cine argentino análisis fílmico intermedialidad artes escénicas |
author_facet |
Jorge Sala |
author_sort |
Jorge Sala |
title |
Casarse con una viuda. "El reñidero" y la reescritura fílmica de éxitos teatrales en el Nuevo Cine Argentino / Marrying a widow. "El reñidero" and the filmic rewriting of theatrical successes in the new Argentinian cinema |
title_short |
Casarse con una viuda. "El reñidero" y la reescritura fílmica de éxitos teatrales en el Nuevo Cine Argentino / Marrying a widow. "El reñidero" and the filmic rewriting of theatrical successes in the new Argentinian cinema |
title_full |
Casarse con una viuda. "El reñidero" y la reescritura fílmica de éxitos teatrales en el Nuevo Cine Argentino / Marrying a widow. "El reñidero" and the filmic rewriting of theatrical successes in the new Argentinian cinema |
title_fullStr |
Casarse con una viuda. "El reñidero" y la reescritura fílmica de éxitos teatrales en el Nuevo Cine Argentino / Marrying a widow. "El reñidero" and the filmic rewriting of theatrical successes in the new Argentinian cinema |
title_full_unstemmed |
Casarse con una viuda. "El reñidero" y la reescritura fílmica de éxitos teatrales en el Nuevo Cine Argentino / Marrying a widow. "El reñidero" and the filmic rewriting of theatrical successes in the new Argentinian cinema |
title_sort |
casarse con una viuda. "el reñidero" y la reescritura fílmica de éxitos teatrales en el nuevo cine argentino / marrying a widow. "el reñidero" and the filmic rewriting of theatrical successes in the new argentinian cinema |
publisher |
Universidad Nacional de La Pampa |
series |
Anclajes |
issn |
0329-3807 1851-4669 |
publishDate |
2017-06-01 |
description |
The article endeavors to analyze the process of transferring the play El reñidero in the Argentinean cinema during the sixties, seeking to establish an analytical methodology different from that implemented by the tradition of local studies on the subject. Based on a comparative review of staging decisions with a view on the role played by the contextual aspect within this process, the case study seeks to distance itself from a perspective focused exclusively on the approach of the connections that films establish with previous dramatic texts. The research aims to dismantle the various significant layers, structured in the manner of a palimpsest, that converge in the film. The essay draws attention to the way in which the notion of cinematographic “author” affects the process of transferring this work to the screen. |
topic |
rené mugica cine argentino análisis fílmico intermedialidad artes escénicas |
url |
https://cerac.unlpam.edu.ar/index.php/anclajes/article/view/1232 |
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1725004425844490240 |