The Fictional Avatars of Mrs W: The Influence of the Adoptive Mother and the Birth of Jeanette Winterson as a Writer
Throughout her writing career, Jeanette Winterson has experimented with her life experience, revisiting in particular the complex relationship with her adoptive mother, Mrs W, in such works as Oranges Are Not the Only Fruit (1985), Sexing the Cherry (1989), and Why Be Happy When You Could Be Normal...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Sciendo
2018-07-01
|
Series: | Prague Journal of English Studies |
Subjects: | |
Online Access: | https://doi.org/10.1515/pjes-2018-0008 |
id |
doaj-4696e59176264c1cb8767e9420951e3f |
---|---|
record_format |
Article |
spelling |
doaj-4696e59176264c1cb8767e9420951e3f2021-09-05T13:59:46ZengSciendoPrague Journal of English Studies2336-26852018-07-017112313910.1515/pjes-2018-0008pjes-2018-0008The Fictional Avatars of Mrs W: The Influence of the Adoptive Mother and the Birth of Jeanette Winterson as a WriterWalezak Emilie0Université Lumière Lyon 2, FranceThroughout her writing career, Jeanette Winterson has experimented with her life experience, revisiting in particular the complex relationship with her adoptive mother, Mrs W, in such works as Oranges Are Not the Only Fruit (1985), Sexing the Cherry (1989), and Why Be Happy When You Could Be Normal (2011). This article examines the complex mother-daughter relationship between Jeanette and Mrs W to illustrate the birth of a feminist writer. In answer to her mother’s confiscation of her birth narrative, Jeanette Winterson has fictionalized Mrs W to alter traditional narrative paradigms she deemed repressive. The process has allowed the daughter to open up an enunciative space for herself through performative utterances: “I’m telling you stories. Trust me.” Finally, the parallel drawn between Mrs Winterson and Mrs Thatcher in the former’s fictional avatars highlights specifically the personal political itinerary of the feminist writer.https://doi.org/10.1515/pjes-2018-0008rewritingrereadingmother-daughter relationshipfeminismmargaret thatcher |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Walezak Emilie |
spellingShingle |
Walezak Emilie The Fictional Avatars of Mrs W: The Influence of the Adoptive Mother and the Birth of Jeanette Winterson as a Writer Prague Journal of English Studies rewriting rereading mother-daughter relationship feminism margaret thatcher |
author_facet |
Walezak Emilie |
author_sort |
Walezak Emilie |
title |
The Fictional Avatars of Mrs W: The Influence of the Adoptive Mother and the Birth of Jeanette Winterson as a Writer |
title_short |
The Fictional Avatars of Mrs W: The Influence of the Adoptive Mother and the Birth of Jeanette Winterson as a Writer |
title_full |
The Fictional Avatars of Mrs W: The Influence of the Adoptive Mother and the Birth of Jeanette Winterson as a Writer |
title_fullStr |
The Fictional Avatars of Mrs W: The Influence of the Adoptive Mother and the Birth of Jeanette Winterson as a Writer |
title_full_unstemmed |
The Fictional Avatars of Mrs W: The Influence of the Adoptive Mother and the Birth of Jeanette Winterson as a Writer |
title_sort |
fictional avatars of mrs w: the influence of the adoptive mother and the birth of jeanette winterson as a writer |
publisher |
Sciendo |
series |
Prague Journal of English Studies |
issn |
2336-2685 |
publishDate |
2018-07-01 |
description |
Throughout her writing career, Jeanette Winterson has experimented with her life experience, revisiting in particular the complex relationship with her adoptive mother, Mrs W, in such works as Oranges Are Not the Only Fruit (1985), Sexing the Cherry (1989), and Why Be Happy When You Could Be Normal (2011). This article examines the complex mother-daughter relationship between Jeanette and Mrs W to illustrate the birth of a feminist writer. In answer to her mother’s confiscation of her birth narrative, Jeanette Winterson has fictionalized Mrs W to alter traditional narrative paradigms she deemed repressive. The process has allowed the daughter to open up an enunciative space for herself through performative utterances: “I’m telling you stories. Trust me.” Finally, the parallel drawn between Mrs Winterson and Mrs Thatcher in the former’s fictional avatars highlights specifically the personal political itinerary of the feminist writer. |
topic |
rewriting rereading mother-daughter relationship feminism margaret thatcher |
url |
https://doi.org/10.1515/pjes-2018-0008 |
work_keys_str_mv |
AT walezakemilie thefictionalavatarsofmrswtheinfluenceoftheadoptivemotherandthebirthofjeanettewintersonasawriter AT walezakemilie fictionalavatarsofmrswtheinfluenceoftheadoptivemotherandthebirthofjeanettewintersonasawriter |
_version_ |
1717813007642263552 |