The Persistence of Anguish: Memory, Absence, and Voice in Colombian Video Art

<p>It seems that there is no place for<br />aesthetics in a conflictive context<br />such as the Colombian one;<br />however, local artists have insisted<br />on hinting at those aspects of the<br />real that we turn our backs on in<br />order to protect our...

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Main Author: Carolina Acosta Martínez
Format: Article
Language:Spanish
Published: Universidad Nacional de Colombia 2014-10-01
Series:Desde el Jardín de Freud
Subjects:
Online Access:http://www.revistas.unal.edu.co/index.php/jardin/article/view/46120
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spelling doaj-4652f2079c6f490ba306675e327c0ff22020-11-24T23:52:29ZspaUniversidad Nacional de ColombiaDesde el Jardín de Freud1657-39862256-54772014-10-0101417118610.15446/djf.v14n14.4612037660The Persistence of Anguish: Memory, Absence, and Voice in Colombian Video ArtCarolina Acosta Martínez0Universidad Nacional de Colombia, Bogotá, Colombia<p>It seems that there is no place for<br />aesthetics in a conflictive context<br />such as the Colombian one;<br />however, local artists have insisted<br />on hinting at those aspects of the<br />real that we turn our backs on in<br />order to protect ourselves. In this<br />order of ideas, the article highlights<br />the ethical nature of a series of<br />Colombian video art works that<br />“make a statement” regarding the<br />socio-cultural conditions in which<br />they arose. Appealing to memory,<br />absence, and voice, it seems that<br />these works seek to startle and<br />produce anguish in their viewers by<br />presenting an abundance of banal<br />texts and images offered by the media<br />(including the already famous<br />signifier, “post-conflict”), which<br />distract us from the horrors of war.</p>http://www.revistas.unal.edu.co/index.php/jardin/article/view/46120Angustia, ausencia, estética, ética, guerra, memoria, videoarte, voz.
collection DOAJ
language Spanish
format Article
sources DOAJ
author Carolina Acosta Martínez
spellingShingle Carolina Acosta Martínez
The Persistence of Anguish: Memory, Absence, and Voice in Colombian Video Art
Desde el Jardín de Freud
Angustia, ausencia, estética, ética, guerra, memoria, videoarte, voz.
author_facet Carolina Acosta Martínez
author_sort Carolina Acosta Martínez
title The Persistence of Anguish: Memory, Absence, and Voice in Colombian Video Art
title_short The Persistence of Anguish: Memory, Absence, and Voice in Colombian Video Art
title_full The Persistence of Anguish: Memory, Absence, and Voice in Colombian Video Art
title_fullStr The Persistence of Anguish: Memory, Absence, and Voice in Colombian Video Art
title_full_unstemmed The Persistence of Anguish: Memory, Absence, and Voice in Colombian Video Art
title_sort persistence of anguish: memory, absence, and voice in colombian video art
publisher Universidad Nacional de Colombia
series Desde el Jardín de Freud
issn 1657-3986
2256-5477
publishDate 2014-10-01
description <p>It seems that there is no place for<br />aesthetics in a conflictive context<br />such as the Colombian one;<br />however, local artists have insisted<br />on hinting at those aspects of the<br />real that we turn our backs on in<br />order to protect ourselves. In this<br />order of ideas, the article highlights<br />the ethical nature of a series of<br />Colombian video art works that<br />“make a statement” regarding the<br />socio-cultural conditions in which<br />they arose. Appealing to memory,<br />absence, and voice, it seems that<br />these works seek to startle and<br />produce anguish in their viewers by<br />presenting an abundance of banal<br />texts and images offered by the media<br />(including the already famous<br />signifier, “post-conflict”), which<br />distract us from the horrors of war.</p>
topic Angustia, ausencia, estética, ética, guerra, memoria, videoarte, voz.
url http://www.revistas.unal.edu.co/index.php/jardin/article/view/46120
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