Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia

This article deals with the figure of the serial killer, a character whose extreme violence has constituted it as the maximum exponent of evilness in our cultural representations. My main interest is to see the treatment that some French police novel writers reserve to him: Brigitte Aubert, Maud Tab...

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Main Author: Marina López Martínez
Format: Article
Language:Catalan
Published: Universitat de Barcelona; Universitat Autònoma de Barcelona 2005-01-01
Series:Lectora: Revista de Dones i Textualitat
Online Access:http://revistes.ub.edu/index.php/lectora/article/view/7115
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spelling doaj-4635e782343f424bb35ce5c2b5883a872020-11-24T22:02:42ZcatUniversitat de Barcelona; Universitat Autònoma de BarcelonaLectora: Revista de Dones i Textualitat1136-57812013-94702005-01-010111311416890Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violenciaMarina López MartínezThis article deals with the figure of the serial killer, a character whose extreme violence has constituted it as the maximum exponent of evilness in our cultural representations. My main interest is to see the treatment that some French police novel writers reserve to him: Brigitte Aubert, Maud Tabachnik, Fred Vargas and Virginie Despentes. The cinematographic adaptation of Despente’s Baise-moi (2000) is specially revealing: while the bloodthirsty murders of Hannibal Lecter or other masculine serial killers receive the approval of the great public and the critic in general, the crimes committed by the two heroins of Virginie Despentes have been put under the censorship. I try to demonstrate from this example that the use of violent women is still disturbing, a taboo after which remains old generic prejudices.http://revistes.ub.edu/index.php/lectora/article/view/7115
collection DOAJ
language Catalan
format Article
sources DOAJ
author Marina López Martínez
spellingShingle Marina López Martínez
Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
Lectora: Revista de Dones i Textualitat
author_facet Marina López Martínez
author_sort Marina López Martínez
title Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
title_short Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
title_full Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
title_fullStr Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
title_full_unstemmed Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
title_sort ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
publisher Universitat de Barcelona; Universitat Autònoma de Barcelona
series Lectora: Revista de Dones i Textualitat
issn 1136-5781
2013-9470
publishDate 2005-01-01
description This article deals with the figure of the serial killer, a character whose extreme violence has constituted it as the maximum exponent of evilness in our cultural representations. My main interest is to see the treatment that some French police novel writers reserve to him: Brigitte Aubert, Maud Tabachnik, Fred Vargas and Virginie Despentes. The cinematographic adaptation of Despente’s Baise-moi (2000) is specially revealing: while the bloodthirsty murders of Hannibal Lecter or other masculine serial killers receive the approval of the great public and the critic in general, the crimes committed by the two heroins of Virginie Despentes have been put under the censorship. I try to demonstrate from this example that the use of violent women is still disturbing, a taboo after which remains old generic prejudices.
url http://revistes.ub.edu/index.php/lectora/article/view/7115
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