Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
This article deals with the figure of the serial killer, a character whose extreme violence has constituted it as the maximum exponent of evilness in our cultural representations. My main interest is to see the treatment that some French police novel writers reserve to him: Brigitte Aubert, Maud Tab...
Main Author: | |
---|---|
Format: | Article |
Language: | Catalan |
Published: |
Universitat de Barcelona; Universitat Autònoma de Barcelona
2005-01-01
|
Series: | Lectora: Revista de Dones i Textualitat |
Online Access: | http://revistes.ub.edu/index.php/lectora/article/view/7115 |
id |
doaj-4635e782343f424bb35ce5c2b5883a87 |
---|---|
record_format |
Article |
spelling |
doaj-4635e782343f424bb35ce5c2b5883a872020-11-24T22:02:42ZcatUniversitat de Barcelona; Universitat Autònoma de BarcelonaLectora: Revista de Dones i Textualitat1136-57812013-94702005-01-010111311416890Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violenciaMarina López MartínezThis article deals with the figure of the serial killer, a character whose extreme violence has constituted it as the maximum exponent of evilness in our cultural representations. My main interest is to see the treatment that some French police novel writers reserve to him: Brigitte Aubert, Maud Tabachnik, Fred Vargas and Virginie Despentes. The cinematographic adaptation of Despente’s Baise-moi (2000) is specially revealing: while the bloodthirsty murders of Hannibal Lecter or other masculine serial killers receive the approval of the great public and the critic in general, the crimes committed by the two heroins of Virginie Despentes have been put under the censorship. I try to demonstrate from this example that the use of violent women is still disturbing, a taboo after which remains old generic prejudices.http://revistes.ub.edu/index.php/lectora/article/view/7115 |
collection |
DOAJ |
language |
Catalan |
format |
Article |
sources |
DOAJ |
author |
Marina López Martínez |
spellingShingle |
Marina López Martínez Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia Lectora: Revista de Dones i Textualitat |
author_facet |
Marina López Martínez |
author_sort |
Marina López Martínez |
title |
Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia |
title_short |
Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia |
title_full |
Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia |
title_fullStr |
Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia |
title_full_unstemmed |
Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia |
title_sort |
ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia |
publisher |
Universitat de Barcelona; Universitat Autònoma de Barcelona |
series |
Lectora: Revista de Dones i Textualitat |
issn |
1136-5781 2013-9470 |
publishDate |
2005-01-01 |
description |
This article deals with the figure of the serial killer, a character whose extreme violence has constituted it as the maximum exponent of evilness in our cultural representations. My main interest is to see the treatment that some French police novel writers reserve to him: Brigitte Aubert, Maud Tabachnik, Fred Vargas and Virginie Despentes. The cinematographic adaptation of Despente’s Baise-moi (2000) is specially revealing: while the bloodthirsty murders of Hannibal Lecter or other masculine serial killers receive the approval of the great public and the critic in general, the crimes committed by the two heroins of Virginie Despentes have been put under the censorship. I try to demonstrate from this example that the use of violent women is still disturbing, a taboo after which remains old generic prejudices. |
url |
http://revistes.ub.edu/index.php/lectora/article/view/7115 |
work_keys_str_mv |
AT marinalopezmartinez ficcionyiserialkillericuandolasmujeresrecurrenalaviolencia |
_version_ |
1716605630537531392 |