The Devil’s Music: Satanism and Christian Rhetoric in the Lyrics of the Swedish Heavy Metal Band Ghost

This paper is an inquiry into a contemporary heavy metal band from Sweden called Ghost. Ghost released its first studio album in 2010 and, while there is some discussion as to what their genre is exactly, they immediately became a rising star in the metal scene. Yet what is of particular interest fr...

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Main Author: P.C.J.M. (Jarell) Paulissen
Format: Article
Language:English
Published: MDPI AG 2021-03-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/12/3/214
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spelling doaj-45f8f535637b4816822a57c4af49c37f2021-03-22T00:00:31ZengMDPI AGReligions2077-14442021-03-011221421410.3390/rel12030214The Devil’s Music: Satanism and Christian Rhetoric in the Lyrics of the Swedish Heavy Metal Band GhostP.C.J.M. (Jarell) Paulissen0Department of Biblical Sciences and Church History, Tilburg School of Catholic Theology, P.O. Box 90153, 5000 LE Tilburg, The NetherlandsThis paper is an inquiry into a contemporary heavy metal band from Sweden called Ghost. Ghost released its first studio album in 2010 and, while there is some discussion as to what their genre is exactly, they immediately became a rising star in the metal scene. Yet what is of particular interest from a storytelling point of view, especially with regard to theological answers to philosophical questions in popular culture, is that the band presents itself as a satanic version of the Catholic Church through their stage act and lyrics. This made me curious whether they are trying to convey a message and, if yes, what that message might be. For the present paper, I have focused on the latter by performing a non-exhaustive textual analysis of the lyrics in a selection of songs from each of the four studio albums released so far. Ghost turns Christian liturgy on its head by utilizing devout language that is normally reserved for God and Christ to describe Satan and the Antichrist, a strategy I have called the ”satanification” of Christian doctrine, and in doing so their songs evoke imagery of a satanic faith community at prayer. The band then uses this radical inversion of traditional Christian themes to criticize certain elements of society, especially those aspects they associate with organized religion.https://www.mdpi.com/2077-1444/12/3/214popular musicheavy metalreligionChristianitySatanismlyrics
collection DOAJ
language English
format Article
sources DOAJ
author P.C.J.M. (Jarell) Paulissen
spellingShingle P.C.J.M. (Jarell) Paulissen
The Devil’s Music: Satanism and Christian Rhetoric in the Lyrics of the Swedish Heavy Metal Band Ghost
Religions
popular music
heavy metal
religion
Christianity
Satanism
lyrics
author_facet P.C.J.M. (Jarell) Paulissen
author_sort P.C.J.M. (Jarell) Paulissen
title The Devil’s Music: Satanism and Christian Rhetoric in the Lyrics of the Swedish Heavy Metal Band Ghost
title_short The Devil’s Music: Satanism and Christian Rhetoric in the Lyrics of the Swedish Heavy Metal Band Ghost
title_full The Devil’s Music: Satanism and Christian Rhetoric in the Lyrics of the Swedish Heavy Metal Band Ghost
title_fullStr The Devil’s Music: Satanism and Christian Rhetoric in the Lyrics of the Swedish Heavy Metal Band Ghost
title_full_unstemmed The Devil’s Music: Satanism and Christian Rhetoric in the Lyrics of the Swedish Heavy Metal Band Ghost
title_sort devil’s music: satanism and christian rhetoric in the lyrics of the swedish heavy metal band ghost
publisher MDPI AG
series Religions
issn 2077-1444
publishDate 2021-03-01
description This paper is an inquiry into a contemporary heavy metal band from Sweden called Ghost. Ghost released its first studio album in 2010 and, while there is some discussion as to what their genre is exactly, they immediately became a rising star in the metal scene. Yet what is of particular interest from a storytelling point of view, especially with regard to theological answers to philosophical questions in popular culture, is that the band presents itself as a satanic version of the Catholic Church through their stage act and lyrics. This made me curious whether they are trying to convey a message and, if yes, what that message might be. For the present paper, I have focused on the latter by performing a non-exhaustive textual analysis of the lyrics in a selection of songs from each of the four studio albums released so far. Ghost turns Christian liturgy on its head by utilizing devout language that is normally reserved for God and Christ to describe Satan and the Antichrist, a strategy I have called the ”satanification” of Christian doctrine, and in doing so their songs evoke imagery of a satanic faith community at prayer. The band then uses this radical inversion of traditional Christian themes to criticize certain elements of society, especially those aspects they associate with organized religion.
topic popular music
heavy metal
religion
Christianity
Satanism
lyrics
url https://www.mdpi.com/2077-1444/12/3/214
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