Então Ela é Escrava? Escrava Isaura, Popular History and National Identity

This paper analyzes the soap opera Escrava Isaura, aired in Brazil by the network Rede Globo from October 11, 1976 until February 5, 1977. Based on Bernardo Guimarães’ novel written in 1875, Escrava Isaura enjoyed attention from both the media and a vast national audience at a time when television...

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Main Author: Paula Halperin
Format: Article
Language:English
Published: Universidade de São Paulo 2020-05-01
Series:Significação: Revista de Cultura Audiovisual
Subjects:
Online Access:https://www.revistas.usp.br/significacao/article/view/155856
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spelling doaj-45d4d90eadfa40eaa843fdd1112607e42021-08-05T03:58:09Zeng Universidade de São PauloSignificação: Revista de Cultura Audiovisual1516-43302316-71142020-05-014753Então Ela é Escrava? Escrava Isaura, Popular History and National IdentityPaula Halperin0Purchase College, SUNY This paper analyzes the soap opera Escrava Isaura, aired in Brazil by the network Rede Globo from October 11, 1976 until February 5, 1977. Based on Bernardo Guimarães’ novel written in 1875, Escrava Isaura enjoyed attention from both the media and a vast national audience at a time when television had become a significant and influential medium. The narrative and aesthetics displayed showed a complex relationship between History and fiction, establishing a peculiar view of the past and slavery. Escrava Isaura launched a lively discussion in the press around slavery, patriarchy, and national identity at a time of military rule in Brazil. https://www.revistas.usp.br/significacao/article/view/155856Brazilian soap operasBrazilian televisiontelevision and historyslaveryracism
collection DOAJ
language English
format Article
sources DOAJ
author Paula Halperin
spellingShingle Paula Halperin
Então Ela é Escrava? Escrava Isaura, Popular History and National Identity
Significação: Revista de Cultura Audiovisual
Brazilian soap operas
Brazilian television
television and history
slavery
racism
author_facet Paula Halperin
author_sort Paula Halperin
title Então Ela é Escrava? Escrava Isaura, Popular History and National Identity
title_short Então Ela é Escrava? Escrava Isaura, Popular History and National Identity
title_full Então Ela é Escrava? Escrava Isaura, Popular History and National Identity
title_fullStr Então Ela é Escrava? Escrava Isaura, Popular History and National Identity
title_full_unstemmed Então Ela é Escrava? Escrava Isaura, Popular History and National Identity
title_sort então ela é escrava? escrava isaura, popular history and national identity
publisher Universidade de São Paulo
series Significação: Revista de Cultura Audiovisual
issn 1516-4330
2316-7114
publishDate 2020-05-01
description This paper analyzes the soap opera Escrava Isaura, aired in Brazil by the network Rede Globo from October 11, 1976 until February 5, 1977. Based on Bernardo Guimarães’ novel written in 1875, Escrava Isaura enjoyed attention from both the media and a vast national audience at a time when television had become a significant and influential medium. The narrative and aesthetics displayed showed a complex relationship between History and fiction, establishing a peculiar view of the past and slavery. Escrava Isaura launched a lively discussion in the press around slavery, patriarchy, and national identity at a time of military rule in Brazil.
topic Brazilian soap operas
Brazilian television
television and history
slavery
racism
url https://www.revistas.usp.br/significacao/article/view/155856
work_keys_str_mv AT paulahalperin entaoelaeescravaescravaisaurapopularhistoryandnationalidentity
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