Então Ela é Escrava? Escrava Isaura, Popular History and National Identity
This paper analyzes the soap opera Escrava Isaura, aired in Brazil by the network Rede Globo from October 11, 1976 until February 5, 1977. Based on Bernardo Guimarães’ novel written in 1875, Escrava Isaura enjoyed attention from both the media and a vast national audience at a time when television...
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Universidade de São Paulo
2020-05-01
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Online Access: | https://www.revistas.usp.br/significacao/article/view/155856 |
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doaj-45d4d90eadfa40eaa843fdd1112607e42021-08-05T03:58:09Zeng Universidade de São PauloSignificação: Revista de Cultura Audiovisual1516-43302316-71142020-05-014753Então Ela é Escrava? Escrava Isaura, Popular History and National IdentityPaula Halperin0Purchase College, SUNY This paper analyzes the soap opera Escrava Isaura, aired in Brazil by the network Rede Globo from October 11, 1976 until February 5, 1977. Based on Bernardo Guimarães’ novel written in 1875, Escrava Isaura enjoyed attention from both the media and a vast national audience at a time when television had become a significant and influential medium. The narrative and aesthetics displayed showed a complex relationship between History and fiction, establishing a peculiar view of the past and slavery. Escrava Isaura launched a lively discussion in the press around slavery, patriarchy, and national identity at a time of military rule in Brazil. https://www.revistas.usp.br/significacao/article/view/155856Brazilian soap operasBrazilian televisiontelevision and historyslaveryracism |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Paula Halperin |
spellingShingle |
Paula Halperin Então Ela é Escrava? Escrava Isaura, Popular History and National Identity Significação: Revista de Cultura Audiovisual Brazilian soap operas Brazilian television television and history slavery racism |
author_facet |
Paula Halperin |
author_sort |
Paula Halperin |
title |
Então Ela é Escrava? Escrava Isaura, Popular History and National Identity |
title_short |
Então Ela é Escrava? Escrava Isaura, Popular History and National Identity |
title_full |
Então Ela é Escrava? Escrava Isaura, Popular History and National Identity |
title_fullStr |
Então Ela é Escrava? Escrava Isaura, Popular History and National Identity |
title_full_unstemmed |
Então Ela é Escrava? Escrava Isaura, Popular History and National Identity |
title_sort |
então ela é escrava? escrava isaura, popular history and national identity |
publisher |
Universidade de São Paulo |
series |
Significação: Revista de Cultura Audiovisual |
issn |
1516-4330 2316-7114 |
publishDate |
2020-05-01 |
description |
This paper analyzes the soap opera Escrava Isaura, aired in Brazil by the network Rede Globo from October 11, 1976 until February 5, 1977. Based on Bernardo Guimarães’ novel written in 1875, Escrava Isaura enjoyed attention from both the media and a vast national audience at a time when television had become a significant and influential medium. The narrative and aesthetics displayed showed a complex relationship between History and fiction, establishing a peculiar view of the past and slavery. Escrava Isaura launched a lively discussion in the press around slavery, patriarchy, and national identity at a time of military rule in Brazil.
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topic |
Brazilian soap operas Brazilian television television and history slavery racism |
url |
https://www.revistas.usp.br/significacao/article/view/155856 |
work_keys_str_mv |
AT paulahalperin entaoelaeescravaescravaisaurapopularhistoryandnationalidentity |
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1721221508672520192 |