Counterfeit and their museums: observation of the aesthetic categories of the pirate consumption
This paper arises from discussions about consumption and piracy,<br />analyzing the role of counterfeit museums, and their paradoxes in the way they communicating the ambivalences of meaning e types of commercial piracy; based on Lipovetsky’s thought (2004; 2007), the articles illustrates the...
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| Format: | Article |
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Escola Superior de Propaganda e Marketing
2013-09-01
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| Series: | Comunicação, Mídia e Consumo |
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| Online Access: | http://revistacmc.espm.br/index.php/revistacmc/article/view/324 |
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doaj-45bf5447024e40e88cc6356e47f36f162020-11-24T22:36:32ZengEscola Superior de Propaganda e MarketingComunicação, Mídia e Consumo1983-70702013-09-01102816918810.18568/1983-7070.1028169-188%y307Counterfeit and their museums: observation of the aesthetic categories of the pirate consumptionEneus Trindade BarretoNicolás Llano LinaresLívia de SouzaThis paper arises from discussions about consumption and piracy,<br />analyzing the role of counterfeit museums, and their paradoxes in the way they communicating the ambivalences of meaning e types of commercial piracy; based on Lipovetsky’s thought (2004; 2007), the articles illustrates the debate about consumption and piracy with 3 museum cases in Thailand, Italy and France.http://revistacmc.espm.br/index.php/revistacmc/article/view/324consumopiratariacontrafaçãocomunicaçãomuseus |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Eneus Trindade Barreto Nicolás Llano Linares Lívia de Souza |
| spellingShingle |
Eneus Trindade Barreto Nicolás Llano Linares Lívia de Souza Counterfeit and their museums: observation of the aesthetic categories of the pirate consumption Comunicação, Mídia e Consumo consumo pirataria contrafação comunicação museus |
| author_facet |
Eneus Trindade Barreto Nicolás Llano Linares Lívia de Souza |
| author_sort |
Eneus Trindade Barreto |
| title |
Counterfeit and their museums: observation of the aesthetic categories of the pirate consumption |
| title_short |
Counterfeit and their museums: observation of the aesthetic categories of the pirate consumption |
| title_full |
Counterfeit and their museums: observation of the aesthetic categories of the pirate consumption |
| title_fullStr |
Counterfeit and their museums: observation of the aesthetic categories of the pirate consumption |
| title_full_unstemmed |
Counterfeit and their museums: observation of the aesthetic categories of the pirate consumption |
| title_sort |
counterfeit and their museums: observation of the aesthetic categories of the pirate consumption |
| publisher |
Escola Superior de Propaganda e Marketing |
| series |
Comunicação, Mídia e Consumo |
| issn |
1983-7070 |
| publishDate |
2013-09-01 |
| description |
This paper arises from discussions about consumption and piracy,<br />analyzing the role of counterfeit museums, and their paradoxes in the way they communicating the ambivalences of meaning e types of commercial piracy; based on Lipovetsky’s thought (2004; 2007), the articles illustrates the debate about consumption and piracy with 3 museum cases in Thailand, Italy and France. |
| topic |
consumo pirataria contrafação comunicação museus |
| url |
http://revistacmc.espm.br/index.php/revistacmc/article/view/324 |
| work_keys_str_mv |
AT eneustrindadebarreto counterfeitandtheirmuseumsobservationoftheaestheticcategoriesofthepirateconsumption AT nicolasllanolinares counterfeitandtheirmuseumsobservationoftheaestheticcategoriesofthepirateconsumption AT liviadesouza counterfeitandtheirmuseumsobservationoftheaestheticcategoriesofthepirateconsumption |
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1725719712262782976 |