Integration and disintegration: Serbian monophony in a polyphonic context

The venerable arguments concerning the validity of harmonized music in the Orthodox Church continue. Serbia is unique in that the codifiers of the monophonic repertoire (in particular Stankoviš and Mokranjac) were also the initiators of the harmonic tradition. Comparison with Bulgaria and Romania...

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Main Author:	Moody Ivan
Format:	Article
Language:	English
Published:	Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts 2011-01-01
Series:	Muzikologija
Subjects:	Serbia monophony polyphony Mokranjac Stanković
Online Access:	http://www.doiserbia.nb.rs/img/doi/1450-9814/2011/1450-98141111147M.pdf

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spelling	doaj-457313455db24511a052ac4ba471f9da2020-11-24T22:27:22ZengSerbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and ArtsMuzikologija1450-98142011-01-0120111114715810.2298/MUZ1111147MIntegration and disintegration: Serbian monophony in a polyphonic contextMoody IvanThe venerable arguments concerning the validity of harmonized music in the Orthodox Church continue. Serbia is unique in that the codifiers of the monophonic repertoire (in particular Stankoviš and Mokranjac) were also the initiators of the harmonic tradition. Comparison with Bulgaria and Romania prove that there are parallels elsewhere, but the systematic quality of the work of both Stankoviš and Mokranjac is unique. The character of Mokranjac's work in particular is determined by the working out of the harmonic and melodic implications of the monophonic tradition.http://www.doiserbia.nb.rs/img/doi/1450-9814/2011/1450-98141111147M.pdfSerbiamonophonypolyphonyMokranjacStanković
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Moody Ivan
spellingShingle	Moody Ivan Integration and disintegration: Serbian monophony in a polyphonic context Muzikologija Serbia monophony polyphony Mokranjac Stanković
author_facet	Moody Ivan
author_sort	Moody Ivan
title	Integration and disintegration: Serbian monophony in a polyphonic context
title_short	Integration and disintegration: Serbian monophony in a polyphonic context
title_full	Integration and disintegration: Serbian monophony in a polyphonic context
title_fullStr	Integration and disintegration: Serbian monophony in a polyphonic context
title_full_unstemmed	Integration and disintegration: Serbian monophony in a polyphonic context
title_sort	integration and disintegration: serbian monophony in a polyphonic context
publisher	Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
series	Muzikologija
issn	1450-9814
publishDate	2011-01-01
description	The venerable arguments concerning the validity of harmonized music in the Orthodox Church continue. Serbia is unique in that the codifiers of the monophonic repertoire (in particular Stankoviš and Mokranjac) were also the initiators of the harmonic tradition. Comparison with Bulgaria and Romania prove that there are parallels elsewhere, but the systematic quality of the work of both Stankoviš and Mokranjac is unique. The character of Mokranjac's work in particular is determined by the working out of the harmonic and melodic implications of the monophonic tradition.
topic	Serbia monophony polyphony Mokranjac Stanković
url	http://www.doiserbia.nb.rs/img/doi/1450-9814/2011/1450-98141111147M.pdf
work_keys_str_mv	AT moodyivan integrationanddisintegrationserbianmonophonyinapolyphoniccontext
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Integration and disintegration: Serbian monophony in a polyphonic context

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