Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing

Karl Musser, Map of Okefenokee Swamp, 2007. This essay explores "Hoboken-style" Sacred Harp singing of the Okefenokee region of southeast Georgia and northeast Florida. It considers the history of this tradition, distinctive characteristics of this variant of Sacred Harp, and how &...

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Main Author: Laurie Kay Sommers
Format: Article
Language:English
Published: Emory Center for Digital Scholarship 2010-08-01
Series:Southern Spaces
Subjects:
Online Access:https://southernspaces.org/node/42823
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spelling doaj-455f05607926445f9017c7d43096dccc2020-11-24T20:45:03ZengEmory Center for Digital ScholarshipSouthern Spaces1551-27542010-08-0110.18737/M7FC71Hoboken Style: Meaning and Change in Okefenokee Sacred Harp SingingLaurie Kay Sommers0Independent ScholarKarl Musser, Map of Okefenokee Swamp, 2007. This essay explores "Hoboken-style" Sacred Harp singing of the Okefenokee region of southeast Georgia and northeast Florida. It considers the history of this tradition, distinctive characteristics of this variant of Sacred Harp, and how "Hoboken-style" leaders have negotiated rapid change while maintaining core values of memory, legacy, and spiritual meaning. Sacred Harp singing in the Okefenokee dates to the mid-1800s, but, remarkably, local singers rarely sang with outsiders until the 1990s. Two important sound recordings from Florida Folk Festivals (1958 and 2000) serve as sonic benchmarks and as points of analytic departure for understanding the recent hybridization of Hoboken-style singing.https://southernspaces.org/node/42823MusicRegional StudiesReligion and Spirituality
collection DOAJ
language English
format Article
sources DOAJ
author Laurie Kay Sommers
spellingShingle Laurie Kay Sommers
Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing
Southern Spaces
Music
Regional Studies
Religion and Spirituality
author_facet Laurie Kay Sommers
author_sort Laurie Kay Sommers
title Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing
title_short Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing
title_full Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing
title_fullStr Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing
title_full_unstemmed Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing
title_sort hoboken style: meaning and change in okefenokee sacred harp singing
publisher Emory Center for Digital Scholarship
series Southern Spaces
issn 1551-2754
publishDate 2010-08-01
description Karl Musser, Map of Okefenokee Swamp, 2007. This essay explores "Hoboken-style" Sacred Harp singing of the Okefenokee region of southeast Georgia and northeast Florida. It considers the history of this tradition, distinctive characteristics of this variant of Sacred Harp, and how "Hoboken-style" leaders have negotiated rapid change while maintaining core values of memory, legacy, and spiritual meaning. Sacred Harp singing in the Okefenokee dates to the mid-1800s, but, remarkably, local singers rarely sang with outsiders until the 1990s. Two important sound recordings from Florida Folk Festivals (1958 and 2000) serve as sonic benchmarks and as points of analytic departure for understanding the recent hybridization of Hoboken-style singing.
topic Music
Regional Studies
Religion and Spirituality
url https://southernspaces.org/node/42823
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