Icon Aesthetics in Christian art جماليات الإيقونة في الفن المسيحي

• Main Authors: Dr. Salam Hamid Rashid Al-hilly م.د. سلام حميد رشيد الحلي, Dr. Mohammed Ali Alwan Al-Qaraghouli أ.م.د. محمد علي علوان القره غولي
• Format: Article
• Language: Arabic
• Published: University of Babylon 2015-01-01
• Series: Journal Of Babylon Center For Humanities Studies
• Subjects: Humanities; arts; Ornament > - دراسات انسانية;فنون;زخرفة
• Online Access: http://www.bcchj.com/views.aspx?sview=160

Means of this research study (attributes aesthetic art icon), which is located in the four chapters devoted the first chapter to introduce the research problem, and its importance and need for it, and its purpose and its limits, and review of the most important Almsstalhat contained therein. The focus of the problem of current research on a vision research Taatnavz with data fees iconic Christian, of a religious nature, the crystallization Mqterpat thinkers combines the Christian religion and the authority of the Church on the one hand and between art iconic On the other hand, were products of Christian art attracts visions of knowledge and religious evidence of special optical Bloicona, which confirmed that the religious discourse, correctly and shares in the probe of Christian thought, with more foresight and reflection and research on the process of the contents of humanity, through the codes of visual and documented themes of Jesus Christ (pbuh) and Mary (p), as a model Ntqsy through pictures icons idea of freedom from level to level sensory intuitive, and becomes the perfect ideas that affect the technical or buildings is to be portable it, a disclosure for real hidden of knowledge that are extrapolated, but trading at the discretion of the religious Christian religion of the assets and ideas of multiple visions. The problem arose during the current search Altsaullac answer the following: What are the aesthetic features that characterized the products of the art of icon? If there were Mqterpat religious productions that have been subjected to embrace the vision of allegorical spectrum to reflect the scenic icon, what are the structural data, which affected the iconic buildings is in accordance with the privacy of Kulim the link between form and content?