Les comédiens de stand-up et la preuve par le rire : le récit comme acte cognitif dans Star Wars Canteen 1 & 2 d’Eddie Izzard*

A stand-up comedian is a person whose action consists in standing on stage to trigger laughter by telling stories. Stand-up comedy can be defined as a performed conversation between a comedian and her audience. The measure of its success is a cognitive impact that manifests itself in the audience’s...

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Bibliographic Details
Main Author: Guillemette Bolens
Format: Article
Language:fra
Published: Laboratoire Interdisciplinaire Récits Cultures Et Sociétés 2015-07-01
Series:Cahiers de Narratologie
Subjects:
Online Access:http://journals.openedition.org/narratologie/7187
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spelling doaj-450768ce8c5e406d846e22dace652b9b2021-05-04T12:30:48ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2015-07-012810.4000/narratologie.7187Les comédiens de stand-up et la preuve par le rire : le récit comme acte cognitif dans Star Wars Canteen 1 & 2 d’Eddie Izzard*Guillemette BolensA stand-up comedian is a person whose action consists in standing on stage to trigger laughter by telling stories. Stand-up comedy can be defined as a performed conversation between a comedian and her audience. The measure of its success is a cognitive impact that manifests itself in the audience’s smiles, reiterated laughter, even hilarity. In this article I analyse two comedy acts by the famous British actor Eddie Izzard. Both acts are posted on YouTube and prove relevant to theoretical issues of interest to narratology today, i.e., transmedial storytelling, and the cognitive acts of narratives in conversation. A performed narrative in a stand-up comedy posted on YouTube gives access via its mediatisation to the temporality of reciprocal cognitive acts between comedian and audience, showing the cognitive relevance of kinesis in the production and reception of narrative, matching in importance the linguistic dimension of storytelling.http://journals.openedition.org/narratologie/7187cognitive actstransmedial storytellingnarrative in conversationstand-up comedyjokesgestures and kinesis in storytelling
collection DOAJ
language fra
format Article
sources DOAJ
author Guillemette Bolens
spellingShingle Guillemette Bolens
Les comédiens de stand-up et la preuve par le rire : le récit comme acte cognitif dans Star Wars Canteen 1 & 2 d’Eddie Izzard*
Cahiers de Narratologie
cognitive acts
transmedial storytelling
narrative in conversation
stand-up comedy
jokes
gestures and kinesis in storytelling
author_facet Guillemette Bolens
author_sort Guillemette Bolens
title Les comédiens de stand-up et la preuve par le rire : le récit comme acte cognitif dans Star Wars Canteen 1 & 2 d’Eddie Izzard*
title_short Les comédiens de stand-up et la preuve par le rire : le récit comme acte cognitif dans Star Wars Canteen 1 & 2 d’Eddie Izzard*
title_full Les comédiens de stand-up et la preuve par le rire : le récit comme acte cognitif dans Star Wars Canteen 1 & 2 d’Eddie Izzard*
title_fullStr Les comédiens de stand-up et la preuve par le rire : le récit comme acte cognitif dans Star Wars Canteen 1 & 2 d’Eddie Izzard*
title_full_unstemmed Les comédiens de stand-up et la preuve par le rire : le récit comme acte cognitif dans Star Wars Canteen 1 & 2 d’Eddie Izzard*
title_sort les comédiens de stand-up et la preuve par le rire : le récit comme acte cognitif dans star wars canteen 1 & 2 d’eddie izzard*
publisher Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
series Cahiers de Narratologie
issn 0993-8516
1765-307X
publishDate 2015-07-01
description A stand-up comedian is a person whose action consists in standing on stage to trigger laughter by telling stories. Stand-up comedy can be defined as a performed conversation between a comedian and her audience. The measure of its success is a cognitive impact that manifests itself in the audience’s smiles, reiterated laughter, even hilarity. In this article I analyse two comedy acts by the famous British actor Eddie Izzard. Both acts are posted on YouTube and prove relevant to theoretical issues of interest to narratology today, i.e., transmedial storytelling, and the cognitive acts of narratives in conversation. A performed narrative in a stand-up comedy posted on YouTube gives access via its mediatisation to the temporality of reciprocal cognitive acts between comedian and audience, showing the cognitive relevance of kinesis in the production and reception of narrative, matching in importance the linguistic dimension of storytelling.
topic cognitive acts
transmedial storytelling
narrative in conversation
stand-up comedy
jokes
gestures and kinesis in storytelling
url http://journals.openedition.org/narratologie/7187
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