Benedito Nunes and the Modern Brazilian Literary Criticism (1946-1969)

The research analyzes the literary criticism of Benedito Nunes and is divided in two parts. It is based on a variety of textual genres (attempts to write novels, poems, aphorisms, chronicles on science, poetry and philosophy, interviews, criticism on poetry and novels). In other words, on the first...

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Main Author: Maria de Fátima do Nascimento
Format: Article
Language:English
Published: Museu Paraense Emílio Goeldi 2013-08-01
Series:Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas
Online Access:http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1981-81222013000200019&lng=pt&nrm=iso&tlng=pt
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spelling doaj-44d6f68aa8704641b01ee16a0eb9584a2020-11-25T01:34:17ZengMuseu Paraense Emílio GoeldiBoletim do Museu Paraense Emílio Goeldi. Ciências Humanas1981-81222013-08-0182485485Benedito Nunes and the Modern Brazilian Literary Criticism (1946-1969)Maria de Fátima do NascimentoThe research analyzes the literary criticism of Benedito Nunes and is divided in two parts. It is based on a variety of textual genres (attempts to write novels, poems, aphorisms, chronicles on science, poetry and philosophy, interviews, criticism on poetry and novels). In other words, on the first texts of Nunes, published in the newspaper “Folha do Norte” (1946-1951), where he started the career as literary critic, in the magazines “Encontro” (1948) and “Norte” (1952), and in other Brazilian newspapers, such as “Jornal do Brasil”, “O Estado de São Paulo” and “O Estado de Minas Gerais”. Nunes’ first books are also analyzed, “O mundo de Clarice Lispector” (1966) and “O dorso do tigre” (1969), for which he was acclaimed one of the exponents of literary criticism in the second half of the 20th century in Brazil, mainly of authors that published from the decade of 1940 on, namely, Clarice Lispector, Guimarães Rosa and João Cabral de Melo Neto. The compilation of texts published in newspapers enables the identification of the main readings of Benedito Nunes, which were incorporated to his work, such as the Christian philosophers, Saint Thomas Aquinas, Pascal and Søren Kierkegaard, who will be constant in the writings of Nunes. The compilation also makes possible to trace the intellectual trajectory of Nunes, especially as literary critic. He after added to his work the ideas of Jean-Paul Sartre and Martin Heidegger. Regarding Heidegger, who Nunes studied throughout his life, it is possible to consider the ontological conception of artistic creation by verbal language, which, according to the German philosopher, corresponds to the foundation of the self by the word. The first part of this research analyzes the intellectual trajectory of Benedito Nunes as well as the material compiled in newspapers and in his first books. The second part presents a sample of the compiled material.http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1981-81222013000200019&lng=pt&nrm=iso&tlng=pt
collection DOAJ
language English
format Article
sources DOAJ
author Maria de Fátima do Nascimento
spellingShingle Maria de Fátima do Nascimento
Benedito Nunes and the Modern Brazilian Literary Criticism (1946-1969)
Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas
author_facet Maria de Fátima do Nascimento
author_sort Maria de Fátima do Nascimento
title Benedito Nunes and the Modern Brazilian Literary Criticism (1946-1969)
title_short Benedito Nunes and the Modern Brazilian Literary Criticism (1946-1969)
title_full Benedito Nunes and the Modern Brazilian Literary Criticism (1946-1969)
title_fullStr Benedito Nunes and the Modern Brazilian Literary Criticism (1946-1969)
title_full_unstemmed Benedito Nunes and the Modern Brazilian Literary Criticism (1946-1969)
title_sort benedito nunes and the modern brazilian literary criticism (1946-1969)
publisher Museu Paraense Emílio Goeldi
series Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas
issn 1981-8122
publishDate 2013-08-01
description The research analyzes the literary criticism of Benedito Nunes and is divided in two parts. It is based on a variety of textual genres (attempts to write novels, poems, aphorisms, chronicles on science, poetry and philosophy, interviews, criticism on poetry and novels). In other words, on the first texts of Nunes, published in the newspaper “Folha do Norte” (1946-1951), where he started the career as literary critic, in the magazines “Encontro” (1948) and “Norte” (1952), and in other Brazilian newspapers, such as “Jornal do Brasil”, “O Estado de São Paulo” and “O Estado de Minas Gerais”. Nunes’ first books are also analyzed, “O mundo de Clarice Lispector” (1966) and “O dorso do tigre” (1969), for which he was acclaimed one of the exponents of literary criticism in the second half of the 20th century in Brazil, mainly of authors that published from the decade of 1940 on, namely, Clarice Lispector, Guimarães Rosa and João Cabral de Melo Neto. The compilation of texts published in newspapers enables the identification of the main readings of Benedito Nunes, which were incorporated to his work, such as the Christian philosophers, Saint Thomas Aquinas, Pascal and Søren Kierkegaard, who will be constant in the writings of Nunes. The compilation also makes possible to trace the intellectual trajectory of Nunes, especially as literary critic. He after added to his work the ideas of Jean-Paul Sartre and Martin Heidegger. Regarding Heidegger, who Nunes studied throughout his life, it is possible to consider the ontological conception of artistic creation by verbal language, which, according to the German philosopher, corresponds to the foundation of the self by the word. The first part of this research analyzes the intellectual trajectory of Benedito Nunes as well as the material compiled in newspapers and in his first books. The second part presents a sample of the compiled material.
url http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1981-81222013000200019&lng=pt&nrm=iso&tlng=pt
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