The "action cam" phenomenon: a new trend in audiovisual production
When the GoPro camera was first put on the market in 2004, it brought about a new generation of ultracompact cameras designed to be attached to the user’s body, and which came to be known as action cams. Their principal characteristics were their tiny size, their high-quality images and a wide-angle...
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Universidad de Navarra
2015-06-01
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Online Access: | https://revistas.unav.edu/index.php/communication-and-society/article/view/35952 |
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doaj-44d67a0d190449e397e5e322f4211d712021-03-18T09:30:02ZengUniversidad de NavarraCommunication & Society (Formerly Comunicación y Sociedad)2386-78762015-06-01283516410.15581/003.28.3.51-6435952The "action cam" phenomenon: a new trend in audiovisual productionMaría J. Ortiz0José A. Moya1University of Alicante. University of Alicante. When the GoPro camera was first put on the market in 2004, it brought about a new generation of ultracompact cameras designed to be attached to the user’s body, and which came to be known as action cams. Their principal characteristics were their tiny size, their high-quality images and a wide-angle, fixed-focal-length lens. This combination has made it much simpler to get spectacular subjective shots with considerable depth of field. The users of this technology now form a whole generation of citizen-filmmakers who produce thousands of videos every day in a novel realistic style dominated by first person narrative. Their work is principally shared via video platforms like YouTube and Vimeo, which provide instant feedback in the form of millions of views. In this paper we analize the common features of the action cam recording style and we state these videos will bring about a redefinition of the realist visual style. Furthermore, we propose to relate the success of the action cam phenomenon with the cognitive concept of embodiment and argue that the viewer’s mirror neurons copy the real sensations and enable the viewer to experience, virtually and in safety, the same emotions felt by the person actually taking part in the action..https://revistas.unav.edu/index.php/communication-and-society/article/view/35952action camvideo platformssubjective shotembodimentrealism |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
María J. Ortiz José A. Moya |
spellingShingle |
María J. Ortiz José A. Moya The "action cam" phenomenon: a new trend in audiovisual production Communication & Society (Formerly Comunicación y Sociedad) action cam video platforms subjective shot embodiment realism |
author_facet |
María J. Ortiz José A. Moya |
author_sort |
María J. Ortiz |
title |
The "action cam" phenomenon: a new trend in audiovisual production |
title_short |
The "action cam" phenomenon: a new trend in audiovisual production |
title_full |
The "action cam" phenomenon: a new trend in audiovisual production |
title_fullStr |
The "action cam" phenomenon: a new trend in audiovisual production |
title_full_unstemmed |
The "action cam" phenomenon: a new trend in audiovisual production |
title_sort |
"action cam" phenomenon: a new trend in audiovisual production |
publisher |
Universidad de Navarra |
series |
Communication & Society (Formerly Comunicación y Sociedad) |
issn |
2386-7876 |
publishDate |
2015-06-01 |
description |
When the GoPro camera was first put on the market in 2004, it brought about a new generation of ultracompact cameras designed to be attached to the user’s body, and which came to be known as action cams. Their principal characteristics were their tiny size, their high-quality images and a wide-angle, fixed-focal-length lens. This combination has made it much simpler to get spectacular subjective shots with considerable depth of field. The users of this technology now form a whole generation of citizen-filmmakers who produce thousands of videos every day in a novel realistic style dominated by first person narrative. Their work is principally shared via video platforms like YouTube and Vimeo, which provide instant feedback in the form of millions of views. In this paper we analize the common features of the action cam recording style and we state these videos will bring about a redefinition of the realist visual style. Furthermore, we propose to relate the success of the action cam phenomenon with the cognitive concept of embodiment and argue that the viewer’s mirror neurons copy the real sensations and enable the viewer to experience, virtually and in safety, the same emotions felt by the person actually taking part in the action.. |
topic |
action cam video platforms subjective shot embodiment realism |
url |
https://revistas.unav.edu/index.php/communication-and-society/article/view/35952 |
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