"The Song of the Plants", from Rabbi Nachman from Breslav to Naomi Sherzer

In the Jewish tradition, the Tu Bishvat, or “Festivity of the Trees”, at the end of January is the occasion to challenge the harshness of winter, celebrate nature’s vitality and fruitfulness, and to admire the articulate relationship between man and environment. All those aspects, related to the myt...

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Main Author: Sarah Kaminski
Format: Article
Language:English
Published: Università degli Studi di Torino 2016-12-01
Series:Kervan. International Journal of Afro-Asiatic Studies
Subjects:
Online Access:http://www.ojs.unito.it/index.php/kervan/article/view/1941
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spelling doaj-4496d42fc0064239aadda6cf5682e7402020-11-25T02:55:50ZengUniversità degli Studi di TorinoKervan. International Journal of Afro-Asiatic Studies1825-263X2016-12-0102010.13135/1825-263X/19411425"The Song of the Plants", from Rabbi Nachman from Breslav to Naomi SherzerSarah Kaminski0Università di TorinoIn the Jewish tradition, the Tu Bishvat, or “Festivity of the Trees”, at the end of January is the occasion to challenge the harshness of winter, celebrate nature’s vitality and fruitfulness, and to admire the articulate relationship between man and environment. All those aspects, related to the mythical and spiritual concept of the sacredness of the Land of Israel, are rooted in an antique tradition expressed in Deuteronomy: 20, 19 “When thou shalt besiege a city […], thou shalt not destroy the trees”. A similar concept is announced hundreds years later in a mysterious text, called Perek Shira, imbedded as part of the Tu Bishvat synagogue recitation. At the beginning of the 19th century, the famous Hassidic Rebbe, Nachman from Breslav, meditated intensely about the insolvable bonds existing between human being and the plant’s world. In his book Likkutei Moharan he persuades his disciples: “You should know that every plant and plant/ has its own and specific melody”. In the seventies, this Nigun becomes a very popular and beloved song by the talented Israeli chansonnière Naomi Shemer, born in kibbutz Degania, near the Lake of Galilee. The song is sung in public, at the Shabbat table, in religious and secular occasions, embracing biblical memory, spiritual history and a new musical approach.http://www.ojs.unito.it/index.php/kervan/article/view/1941BreslavHasidismTu BishvatFestivity of the TreesIsraeli music
collection DOAJ
language English
format Article
sources DOAJ
author Sarah Kaminski
spellingShingle Sarah Kaminski
"The Song of the Plants", from Rabbi Nachman from Breslav to Naomi Sherzer
Kervan. International Journal of Afro-Asiatic Studies
Breslav
Hasidism
Tu Bishvat
Festivity of the Trees
Israeli music
author_facet Sarah Kaminski
author_sort Sarah Kaminski
title "The Song of the Plants", from Rabbi Nachman from Breslav to Naomi Sherzer
title_short "The Song of the Plants", from Rabbi Nachman from Breslav to Naomi Sherzer
title_full "The Song of the Plants", from Rabbi Nachman from Breslav to Naomi Sherzer
title_fullStr "The Song of the Plants", from Rabbi Nachman from Breslav to Naomi Sherzer
title_full_unstemmed "The Song of the Plants", from Rabbi Nachman from Breslav to Naomi Sherzer
title_sort "the song of the plants", from rabbi nachman from breslav to naomi sherzer
publisher Università degli Studi di Torino
series Kervan. International Journal of Afro-Asiatic Studies
issn 1825-263X
publishDate 2016-12-01
description In the Jewish tradition, the Tu Bishvat, or “Festivity of the Trees”, at the end of January is the occasion to challenge the harshness of winter, celebrate nature’s vitality and fruitfulness, and to admire the articulate relationship between man and environment. All those aspects, related to the mythical and spiritual concept of the sacredness of the Land of Israel, are rooted in an antique tradition expressed in Deuteronomy: 20, 19 “When thou shalt besiege a city […], thou shalt not destroy the trees”. A similar concept is announced hundreds years later in a mysterious text, called Perek Shira, imbedded as part of the Tu Bishvat synagogue recitation. At the beginning of the 19th century, the famous Hassidic Rebbe, Nachman from Breslav, meditated intensely about the insolvable bonds existing between human being and the plant’s world. In his book Likkutei Moharan he persuades his disciples: “You should know that every plant and plant/ has its own and specific melody”. In the seventies, this Nigun becomes a very popular and beloved song by the talented Israeli chansonnière Naomi Shemer, born in kibbutz Degania, near the Lake of Galilee. The song is sung in public, at the Shabbat table, in religious and secular occasions, embracing biblical memory, spiritual history and a new musical approach.
topic Breslav
Hasidism
Tu Bishvat
Festivity of the Trees
Israeli music
url http://www.ojs.unito.it/index.php/kervan/article/view/1941
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