Stravinsky and Time

Stravinsky’s aim of coordinating man and time through music is explored in the context of changes in our understanding of time at the turn of the twentieth century. His growing expertise in the construction of temporalities of differing quality and depth to create a vehicle for greater temporal and...

Full description

Bibliographic Details
Main Author: Helen Sills
Format: Article
Language:English
Published: Centre for Philosophical Research 2013-12-01
Series:Avant: Journal of Philosophical-Interdisciplinary Vanguard
Subjects:
Online Access:http://avant.edu.pl/wp-content/uploads/Helen-Sills-Stravinsky-and-Time.pdf
id doaj-442d223a739742879e54560d2a1ddce1
record_format Article
spelling doaj-442d223a739742879e54560d2a1ddce12020-11-24T23:09:59ZengCentre for Philosophical ResearchAvant: Journal of Philosophical-Interdisciplinary Vanguard2082-67102013-12-01IV3/2013147171Stravinsky and TimeHelen Sills0International Society for the Study of TimeStravinsky’s aim of coordinating man and time through music is explored in the context of changes in our understanding of time at the turn of the twentieth century. His growing expertise in the construction of temporalities of differing quality and depth to create a vehicle for greater temporal and spiritual awareness is traced through the early works from Petrushka to Le Sacre du Printemps, and the background to their time qualities explored. At a distance of 100 years some thoughts are offered on the effect that the première of Le Sacre du Printemps had upon the audience with respect to a more particular awareness of time.http://avant.edu.pl/wp-content/uploads/Helen-Sills-Stravinsky-and-Time.pdfSpiritualitytemporalitymovementmusical constructioncommunion
collection DOAJ
language English
format Article
sources DOAJ
author Helen Sills
spellingShingle Helen Sills
Stravinsky and Time
Avant: Journal of Philosophical-Interdisciplinary Vanguard
Spirituality
temporality
movement
musical construction
communion
author_facet Helen Sills
author_sort Helen Sills
title Stravinsky and Time
title_short Stravinsky and Time
title_full Stravinsky and Time
title_fullStr Stravinsky and Time
title_full_unstemmed Stravinsky and Time
title_sort stravinsky and time
publisher Centre for Philosophical Research
series Avant: Journal of Philosophical-Interdisciplinary Vanguard
issn 2082-6710
publishDate 2013-12-01
description Stravinsky’s aim of coordinating man and time through music is explored in the context of changes in our understanding of time at the turn of the twentieth century. His growing expertise in the construction of temporalities of differing quality and depth to create a vehicle for greater temporal and spiritual awareness is traced through the early works from Petrushka to Le Sacre du Printemps, and the background to their time qualities explored. At a distance of 100 years some thoughts are offered on the effect that the première of Le Sacre du Printemps had upon the audience with respect to a more particular awareness of time.
topic Spirituality
temporality
movement
musical construction
communion
url http://avant.edu.pl/wp-content/uploads/Helen-Sills-Stravinsky-and-Time.pdf
work_keys_str_mv AT helensills stravinskyandtime
_version_ 1725608800033964032